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WIHM Interview – Kelly Evans

It’s been a great Women in Horror Month, and there’s still time for one more interview. Let’s get to know author Kelly Evans.

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How long have you been writing?

Since I was a kid. Especially horror. I wrote a series of short horror stories in high school last period English class, left them in my friend’s locker and she’d read them to her morning physics class the next day. I had a bit of a following apparently.

What draws you to horror?

I love being scared. Everyone does, don’t they? But I love figuring out what, exactly, will scare people. And then finding the words to express that horror.

Do you write any other genres?

I also write historical fiction. I’m currently working on a 3 book series about the queens of Anglo Saxon England, the first of which came out last year. I’m also shortly releasing a historical horror novel, set during the Black Death.

Is there a genre you’d like to attempt but haven’t?

I enjoy humour, but I’m not sure I could write an entire novel. I DO write satirical historical articles though.

Do you think women horror authors have a hard time getting acknowledged?

Yes, absolutely. Horror, especially the more graphic stuff, has always been aggressive and fearful, something associated with men. But women can be aggressive, believe me. We can also go softly softly, creeping into your subconscious and scaring the pants off you before you know we’re even there.

What is the most difficult thing you’ve ever written and why?

I had to write a novel for a master’s in writing I was doing. *I* enjoyed the story but my tutor hated it, just didn’t understand what I was trying to do. THAT was tough; I lost interest in the book and never finished it.

Who are some amazing female authors (from any genre, any style, any time-period)?

I’m a big fan of medieval female authors, it’s nice to get the perspective of a group of people who have often been swept aside in favour of their male counterparts. Julian of Norwich, Margery Kemp, the Paston Letters, Hildegarde of Bingen, all worth taking a peek at.

Besides writing, what brings a smile to your face?

Clever humour. My cats. And, mainly, my husband!

Did you have a favorite book as a child?

I adored The Cat in the Mirror by Mary Stolz, about ancient Egypt. Also No Flying in the House by Betty Brock, and of course A Wrinkle in Time by Madeleine L’Engle. All made a huge impression on me.

Here’s a tough one: What’s your favorite color?

Forest green.

What are you working on now, and where do you see yourself in the future?

I’m getting my historic horror ready for release, then continue with the second in my Anglo Saxon women series. I also write satirical medieval articles for my website each month, which are a LOT of fun. I’m retiring soon and will be writing full time, historical fiction and some more horror!

Where can we find you on the web?

website: http://www.kellyaevans.com

Twitter: @Chaucerbabe

Facebook: http://www.facebook.com/kellyevansauthor/

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Thanks for your support this WiHM!

Remember, there are always female horror writers out there hungry for more readers, all twelve months of the year!

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WIHM Interview – L Bachman

Today we chat with L Bachman – artist, author, and woman in horror. She makes wicked cool book covers in addition to penning her own tales. Let’s find out more…

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How long have you been writing?

I have indeed! I’ve been writing since I was young, but it was only a few years ago that I began taking it seriously after forcing myself to throw caution to the wind and take the leap.

What draws you to horror?

I struggled with the genre I was writing in. I couldn’t understand genres; still have trouble from time to time honestly. The way I thought was if it’s not something that frightens me, it probably wasn’t horror, never considering that some people may be frightened by the things I wasn’t frightened by. I felt perhaps my writing wasn’t ‘scary enough’ when I read it back so it mustn’t be horror.

After I understood what I was creating, it made sense to me like someone shining a light in the dark room of my understanding of genres. I enjoy writing horror more now that I understand it. Horror, scaring others, isn’t what I intend when I write, my focus is just getting the story out before I implode, but there is appreciation in why I do what I do for at least me.

Facing fears can be cathartic, relieving even, but until the story ends, the thrill and intensity taps into something deeply rooted in all beings. That is why I’m drawn to it, facing down ‘bad guys’ or ‘bad situations’ and overcoming the fight or flight that we all deal with when dealing with the adrenaline rush we can get when reading.

Do you write any other genres?

At this moment, dark fantasy is the only one that any of my work can fall into.

 

 

Is there a genre you’d like to attempt but haven’t?

I’m working on some branching out stories from horror and dark fantasy, not a complete genre hopping, but casting out a twig to touch into those pools.

Do you think women horror authors have a hard time getting acknowledged?

I don’t think as much so now, but I can see how the history of women in horror was. There was a time when it was difficult to gain respect, for any woman writer. Many historic women writers took pen names that were either neutral or sounded more masculine.

What is the most difficult thing you’ve ever written and why?

The Painting of Martel was difficult; originally it was included in an anthology with a theme of killer clowns. I had never thought I’d write a story involving this theme and so it came hard to me, but I met my deadline. It’s been a year since it was in that anthology and after taking it, revamping it a bit, and working it into something more than it was I can say confidently that it will find a shelf space in being published on its own. May 1st, 2017 is when it goes live. Right now it’s for pre-order.

Who are some amazing female authors (from any genre, any style, any time-period)?

Personally, I find Mary Shelly and Anne Rice to be amazing writers.

Besides writing, what brings a smile to your face?

My family; my son makes me very happy, he’s so smart, and I could gush over my pride of all that he has accomplished. Family makes me truly happy beyond writing.

Did you have a favorite book as a child?

Pride and Prejudice by Jane Austin.

Here’s a tough one: What’s your favorite color?

Black.

What are you working on now, and where do you see yourself in the future?

Right now I’m working on several things at once. I’m writing The Burning Man, Mercy, and Necessary Evil. That’s the three I’m working on seriously, but I always have something in the works just put on simmer on the back burner.

Where can we find you on the web?

Facebook Page:
https://www.facebook.com/writerbachman

Twitter:
https://twitter.com/authorlbachman

Facebook Fanclub:
https://www.facebook.com/groups/bachmanblasphemer

Website for Writing:
http://lbachman.wixsite.com/lbachman

Website for Design:
http://lbachman.wixsite.com/bachmandesigns

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Women in Horror Month = free fiction!

Hello, horror buddies. Happy Women in Horror Month.

Being as I am a woman in horror, I’ll be posting this month about some awesome females I know. But before we get to that, I want to make everyone aware of all the free fiction floating around this month. Yes, FREE. The magic word.

First and foremost, not because it is my book, but because the promotion ends soon… I want to spread the word that my novella, Ashes of Another Life, is currently FREE on Kindle until the end of the day on Feb 3rd. Please, go snag a copy if you’re a Kindle reader! Search “Ashes of Another Life” on Amazon or click here:  https://www.amazon.com/Ashes-Another-Life-Lindsey-Goddard-ebook/dp/B01KDD4ZCC/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1486043611&sr=8-1

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There are lots of book giveaways this month, as women of horror plug away trying to get their names out there. Dozens of free books just waiting to be downloaded by YOU. A good place to find them is here: http://angelinetrevena.co.uk/free-horror-books

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And last but certainly not least, some scary ladies got together and wrote 100 word flash horror stories. You can find those linked below and also a video about the ladies involved.

100 word flash stories: https://kellyaevans.com/women-in-horror

 
Thanks for reading. In the famous words of Terminator: I’ll be back.

You CAN judge a book by its cover – a look at the work of Brett Williams

Hiya, horror freaks! Today I’d like to discuss the horrifying works written by friend and colleague Brett Williams. This is an author who is not afraid to “go there”. Though he writes in more than one genre, his horror books tend to gravitate toward the extreme and taboo, in the same vein as Edward Lee.

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I have read three of Brett’s books to date. The first one, From Murky Depths, was a light read with none of the depravity of the latter two, High Octane Damnation and Family Business. I, myself, don’t read much extreme horror. Believe it or not, violence is not really my thing. Lol. Who woulda thought? But despite my sub-genre preferences, I DO recognize a well-written, solid piece of fiction when I see it, and Brett Williams always delivers.

What am I getting at with this preamble? Well, as you can imagine, writing extreme horror containing graphic and sexual content always brings in bad reviews, and I guess I’m tired of seeing it. I’m tired of reading reviews claiming a book is garbage just because the reader picked out the wrong type of book for him or herself. There should be no surprise that Brett’s book Family Business contains rape. The cover image is a mostly naked woman behind bars! Did the reader think this sexualized woman behind bars was starring in a romance role? Doubtful. The truth is, the entire novel is oddly compelling from start to finish whether you want to keep reading or not, and the reader who posted the bad review that inspired this blog was probably just disappointed in himself for staying glued to the whole thing! What a sicko! Hahaha. I joke, I joke.

Anyway, I’m here to shout from a mountain top (or from my couch) that you absolutely CAN – in fact SHOULD – judge a book by its cover before you dig in. If there’s a lot of sexuality and blood, or if it’s named “Lucifer’s Whore” for instance, and you still decide to open up those pages and start reading, you just forfeited your right to leave a terrible review based on graphic content, in this blogger’s opinion.

So… there’s my two cents. Seems obvious. I don’t buy a thong swimsuit and complain it shows too much butt cheek. Use your brains, folks. Buy the books you’re likely to enjoy. In fact, here are some covers for books written by Brett Williams. Please, JUDGE THEM accordingly and then decide… do you want to know what’s inside? (I bet you do NOW. Lol.) 🙂

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To find out more about this author, please visit: http://brettwilliamsfiction.com

Fifty Days ‘Til Halloween and a Free Story To Celebrate

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Horror folk, gather ’round. Our favorite season is upon us! Soon the leaves will fall; the candy will flow. Naysayers might wonder, “Why start the countdown so soon?” Hahaha. A lot of us started our countdown on November 1st of last year! Am I right??? 🙂

So anyway, I just released a collection for Kindle and NOOK entitled The Tooth Collector and Other Tales of Terror, and since one of the stories is Halloween-themed, I’d like to share it here.

This story originally appeared in Dark Moon Digest. I hope you enjoy it.

Invitation Only

Daniel turned the pages of his mother’s photo album, fighting back tears. Pictures of his own face—in various stages of development—stared back at him, a reminder of innocence lost. Snapshots filled each glossy slot in careful chronological order. His mother’s handwriting marked the months and years on bits of paper underneath. A familiar lump returned to his throat as he resisted the urge to cry.

Daniel closed the book and rubbed his eyes. He couldn’t shake the feeling that he had failed her. He was a loser. After forty-eight years of life, it was obvious. He hadn’t accomplished much of anything, so busy following his dreams that he never thought to set aside money for his mother’s needs.

In the end, when mom had passed, he was forced to sell the few valuables he owned just to pay for her funeral. Even then, he couldn’t afford a casket. Mom now rested in a porcelain urn.

He stood up from the foot of his mother’s bed and smoothed the wrinkles from the cover. It occurred to him that this was a pointless action, that sooner or later the bedding would join her other possessions in a truck heading for the nearest Goodwill. But he adjusted it anyway, noticing its age for the first time. It was the same ragged quilt she’d been using for decades.

He looked around the room at the outdated decor, the open closet full of thrift store dresses, the ancient TV atop her dresser. She hadn’t lived a glamorous life. Her only child, Daniel, had failed to provide.

Placing the photo album in a box marked “keep”, Daniel turned to face the rest of the closet’s contents. The clothes would all go; that was easy. The boxes full of knickknacks and keepsakes, those would take some time to sort through. He owed her that much, to handle her items with care. They were memories, after all, souvenirs from a lifetime spent encouraging her loser son. First, with his failed movie career. Then, with his non-selling novels. Mother always kept the faith that he’d succeed.

Daniel grabbed a shoe box from the shelf and placed it on the bed. It was old, the logos obviously passé. His fingers left prints on the dusty surface as he removed the lid, setting it aside. The box contained papers—some folded, some rolled, some small enough to fit without bending. He unrolled a paper: the deed to the house. He walked it over to the “keep” container, setting it next to the box so it wouldn’t get buried beneath the other items as he sorted.

He started a pile of old receipts, crumbling them as he scanned them for importance. And then, further down, underneath the top layer of papers, he spotted something that made his brow furrow. It looked exactly like something he’d seen in his youth. The words were different, but there was no mistaking the font.

He picked up the red post card with the bold, black text. The words were scrawled in haunting, gothic letters. As a boy, he had marveled at the shape of each character. He’d never seen writing like it. And now—as a grown man—he knew he hadn’t seen it since.

There was no picture, no friendly greeting, not even a stamp. The card was the color of blood, but lacking the glossy coat that some post cards possess. Just the dull, crimson paper with the strange black letters.

He remembered how Jimmy Hannigan had gloated, waving it around. A chubby redheaded kid with an ego so big it made you wonder what he saw in the mirror, he carried himself with an attitude that suggested he was Top Dog. Jimmy was a hellion, a cool outlaw, trapped in the body of an overweight ginger. Daniel knew this was why he bullied the other kids, like in that moment, as he taunted Daniel with the post card in his hand. “Didn’t get one, huh?”

“Don’t want one.” Daniel kicked a rock with his dirty Ked sneaker, eyeing Jimmy with thinly veiled chagrin.

Ever since the delivery man had appeared on Jimmy’s doorstep and handed him the strange invitation, he couldn’t stop beaming from ear to ear. Jimmy had spent the school day with that dumb smile on his face, questioning all the children in their seventh grade class. “Did you get one?” he would ask, waving the crimson card around. With each “no” he seemed to walk a little taller, as if hand-picked to join a group of socialites.

The invitation itself was peculiar. The letters looked like they belonged in the credits of Vampira or The Addams Family, and Daniel was thoroughly intrigued. He found himself trailing Jimmy as he posed the question to each classmate. So far only Teddy Green, Dennis Halloway, and Johnny Cougar had matching post cards. The oddest part: they were the worst kids in school.

Daniel was partly telling the truth when he said he didn’t want an invitation. There was a twinge of jealousy at having been excluded, but something about the blood red card, inviting the recipient to the “best haunted house this Halloween” sent a chill down the length of Daniel’s spine. He had been there when the delivery man arrived on Jimmy’s doorstep. The lanky figure in the long, black trench coat seemed to appear out of thin air that afternoon. One moment they were discussing Heather Janeson’s tits, the next they were sitting in his shadow.

The autumn air was crisp, carrying the scent of fallen leaves, and it whipped at the stranger’s colorless hair, which hung in a tangled mess from beneath his ebony top hat. His face was even paler than his thin, white hair, and his dark eyes leered at Daniel from the shadows of the hat’s brim.

“Are you Mister Jimmy Hannigan?” his deep voice inquired. Daniel thought it sounded more like a growl than a question. He caught a glimpse of sharp teeth as the delivery man spoke. Slick with spit, the jagged teeth glistened behind chapped lips, brownish-yellow and tapered into points. Jimmy, who was accustomed to speaking his mind, who had told countless teachers and parents to “fuck off”, only nodded in response, taken aback by the proximity of the imposing figure.

The man handed Jimmy a black envelope and curled his lips in a closed-mouth smile. The expression seemed to strain the muscles of his face, as if causing him actual pain. Daniel caught another glimpse of those cat-like teeth as the man spoke again in that low, bassy tone, “We hope you can make it.” With a tip of his satin top hat, the man turned and walked away, leaving the boys to stare at the envelope in wonder.

“Open it,” said Daniel, licking his lips.

“Chill out, spaz. I just got it ten seconds ago.”

Daniel looked in the direction the man had walked, but he was nowhere to be seen… already gone. “That guy gave me the creeps.” He rubbed the goosebumps from his arms.

“That’s because you’re a pussy,” Jimmy said with a roll of his eyes. He ripped at the envelope, shredding the seal. His eyes widened as he read the words aloud, “You are invited to Manic Manor, the most terrifying haunted house in the state.”

Realization dawned on the boys, and they laughed, releasing their tension.

“So that explains the creepy getup,” said Jimmy. But not the creepy teeth, thought Daniel.

“Admission is paid in full, courtesy of someone who believes you can survive the terror.” Jimmy looked up, pride obvious in his eyes. “Halloween night. 10 o’clock. The old mansion on Pennington Hill.”

***

Leaves skittered down the sidewalk in the autumn breeze. The jack-o-lantern’s candle had burned down to a nub, its flame fighting to stay lit against the wind. Daniel breathed deep the smell of melted wax. It was a comforting aroma, reminding him of past Halloweens, when he’d been allowed to enjoy the festivities. Now he was twelve, going on thirteen. Too old for silly costumes and trick-or-treating.

Jimmy smacked his lips, savoring the candy bar with as much etiquette as a pig at the trough. “You sure you don’t want some?” he asked, holding the bag out to Daniel.

He shook his head, “No man. It aint even ours.”

Jimmy rolled his eyes. “Okay, suit yourself.” He plunged his chubby hand into the depths of the treat bag, digging for another snack to join the pile of empty wrappers at his feet.

Daniel watched his pal, pondering—as he often did—what exactly made them best friends. Teachers, parents, authority figures: they all pegged Daniel for a hooligan because of the company he kept. He could save himself a lot of trouble and accusations if he just stopped hanging around with Jimmy. The truth was, deep down, Daniel didn’t feel like a bad guy. He didn’t want to smash pumpkins or egg houses. He especially didn’t want to steal candy. Yet, those are the activities that had filled his evening, because for some reason, Jimmy Hannigan was his pal.

“What time is it?” asked Jimmy, sucking the chocolate from his fingers.

Daniel checked his watch. “It’s 9:12.”

Jimmy jumped to his feet. “Shit, we’re gonna be late!” He dumped a handful of candy into the bag, stuffing the empty wrappers into the pockets of his jeans. He stashed the stolen candy in the bushes, where his parents would be none the wiser.

Daniel stood from the porch, his eyebrows arched high. “Hold up. We are gonna be late?”

“Yeah, man. You didn’t think I’d go without my best friend, did ya?”

Daniel thought. “Well, what—what if they don’t let me in?”

“Hell man, I don’t know. Let’s go find out!”

***

The abandoned mansion towered against a backdrop of tiny stars as the boys groaned, rubbing their feet. Daniel marveled at how far they’d come, loosening the laces of his grass-stained tennis shoes. The road snaked its way downhill, winding through the forest and back out again, until it met with the heart of town. There had been an unspoken consensus to travel it alone, without the cushy comforts of a car. He scarcely believed they’d climbed the entire hill on foot as he stared down upon the rooftops, breath forming clouds in the crisp October air.

One by one, they had gathered outside the iron gate: Teddy Green, Dennis Halloway, Johnny Cougar, and Sally Hendricks. A scraggly-haired tyrant of a girl, Sally’s name struck fear into the hearts of her classmates. She might as well be one of the guys.

Daniel noted, with mild amusement, that the amount of lunch money stolen between these kids might be enough to jump start a small business. He snorted through his nose to keep from laughing, catching a suspicious sideways glance from Teddy, whose narrow eyes wiped the smirk from Daniel’s face.

Dark windows stared down at the children, like empty eye sockets in a moldering face. The once-glorious home loomed over them, glowing gray in the moonlight. The rotting wood exterior was riddled with tiny, black knots. Dead, brittle vines weaved through the broken slats of the lattice, cobwebs visible in every corner. The gauzy white webs accented the frame of the tall, black door, which seemed to sit crooked in the face of the house.

Pennington Hill had once been the subject of envy around town. Built for the mayor and his prestigious family, the three story, twenty-eight room manor had been the setting for galas and elite social events. As decades passed, the wealthy class developed a desire to blend in. A mansion atop a hill became a thing of the past, an ostentatious display of riches. Following the family’s departure a near century after it was built, no one seemed to know what to do with the old house. It sat, untouched, for so many years that it fell into immense disrepair.

The children heard the squeaking of a shutter as it hung from its hinge and thumped against the window frame. A lone owl hooted in the distance, sounding too much like a horror movie sound effect. Their warm breath formed white clouds in the air as they waited.

Johnny Cougar’s blue eyes darted from face to face, as he rocked back and forth on his heels. “What should we do? Climb the gate?”

Jimmy shook his head, pointing at the invitation. “Patience, bonehead. It says right here: 10 o’clock. Just wait a minute. Someone will let us in.”

As if on cue, the wrought iron gates swung open. Teddy and Dennis stepped forward, showing no fear at the sight of the heavy gates moving on their own. Johnny and Sally glanced back, at the road leading home, then forward to the gates, which scraped along the gravel as they opened. “Pretty cool trick,” said Johnny.

“Yeah, pretty cool.”

Jimmy pulled Daniel aside. He patted the pocket of his jacket where a walkie talkie was hidden. His freckled cheeks puffed up as he beamed a crooked smile. “Remember, even if you don’t get in, you can listen.” Jimmy’s hazel eyes twinkled in the plump roundness of his face. He raised his hands to Daniel’s shoulders, grinning like he’d given him the best gift in the world by letting him tag along. Jimmy had insisted on bringing the walkie talkies, just in case the two boys got separated. His best friend was coming with him, no matter what. “You ready?” he said, squeezing Daniel’s shoulders with his palms.

Daniel nodded, “Yeah, let’s go.

“Together they walked under an archway that connected the pillars of each gate. Granite faces peered at them from intricate carvings in the stone. The gray eyes seemed to follow them as they passed. Both boys noticed, but neither one said a word.

Trees lined the stone path leading to the mansion’s front door. Twisted limbs entangled from opposite sides of the path, forming a tunnel of gnarled branches and leaves. A canopy of twigs and fire-colored leaves entwined above their heads, throwing the children into darkness. Moonbeams shined through the gaps in the branches, casting thin patches of light across their bodies as they crunched over the fallen leaves that littered the pebbled ground.

Shadows moved in the foliage, weaving through the tree trunks. At first Daniel thought it was dogs on the other side of the branches, but the more he focused his eyes, he saw dark splotches moving along the inside of the tunnel. The shadows looked human in shape, as if cast by the group of kids, but there wasn’t enough moonlight for that. The black figures moved in a blur, so quickly Daniel couldn’t single one out.

The trunks were covered in a dark brown, crumbling bark that seemed to move, like the puffing of a chest as it breathes. Daniel knew it was foolish, but he felt as though the trees were alive. He could hear them panting: a labored wheezing sound over the whistling of the wind down the trail.

“Do you hear that?” Daniel clenched Jimmy’s arm, urging him to stand still and listen.

Jimmy cocked his head, waiting. “Hear what?”

Daniel paused. He scanned the mossy trunks, waiting for the vegetation to move. Waiting for the bark to ripple as it had seconds earlier. Nothing happened. “Nevermind,” he said, biting his lip.

Jimmy chuckled. There was a nervous, high-pitched lilt to his laugh. “C’mon, man. Let’s keep going…” They jogged to catch up with the others.

Dennis and Teddy reached the staircase first. They glanced back, suddenly aware of how shadows crowded the porch, dark and unmoving. They resembled human figures, huddled together in the darkness of the covered patio.

The tough guys searched the faces of their peers. Their eyes said it all: They were just as scared as Daniel. They gripped the wooden railing that ascended the stairs to the pillared wrap-around porch. The archway was fit for a cathedral, aside from the mold that speckled the wood and the peelings of paint that hung in large chunks, fluttering in the breeze. With a gulp, Teddy and Dennis climbed the stairs. The other children followed, close behind.

Daniel jumped when a wooden stair broke with a loud crack, splitting under his foot. The others looked back with smirks on their faces as if to say “Smooth move, dork.” But no one said a word as they reached the top step and the shadows retreated to the far side of the porch.

The crickets stopped chirping on Pennington Hill. Everything went silent, save for the nervous breathing of the children and another noise, like the raspy wheezing of a thousand creatures, so quiet you could barely make it out. And it was coming from the shadows.

Sally grabbed the rusty door knocker. She tried desperately to steady her hand as she thudded the metal ring three times. She couldn’t let the boys see how nervous she was. She stifled a gasp when the door knocker blinked its beady eyes. She glanced around. No one else had seen it aside from Sally and Daniel, but the copper lion, green in its old age, had blinked its eyes as she banged on the door.

The door creaked open without so much as a push. The large marble foyer was covered in dust and dimly lit by tall candelabras. Daniel’s eyes adjusted, and he realized the flames flickered atop piles of bones. Each candelabra was mounted to a grotesque stack of skulls, layered together like bricks in a pillar. While his friends admired the “special effects”, Daniel was pretty sure he spied a skull with some of the flesh still attached. A rotted eyeball dangled from the socket by a wet, pink thread. It all looked too real to be safe.

The man who had delivered the invitations stood dead center, in a ring of candlelight. Flames danced in the dark, sunken sockets above his jagged cheek bones, mirroring the fire from the candles. He wasn’t wearing his top hat, and his white hair hung in thinning patches from his sickly, pale scalp. Blue veins showed through his nearly translucent skin as he pressed a hand to his abdomen and bowed.

The man stepped forward. His black suit reminded Daniel of the shadow people.

He could see them, dark figures huddled together in the inky blackness of the hallway. The man’s voice was a low growl as he spoke. “Sally,” he said, nodding in her direction. “Teddy, Danny…” His pale face studied the children, thin lips pulled taut over his ghoulish, pointed teeth. “Johnny and Jimmy…” His dark eyes settled on Daniel. “and… who do we have here?” He clasped his spindly fingers together in a steeple-like formation and slanted his thin eyebrows at Daniel.

The shadows deep within the house, past the ring of candlelight and hiding in the darkness, seemed to pulsate and stir. Their collective breathing rose higher in volume, yet it was still barely audible, like a gust of wind whistling through the old mansion. Human forms stirred in the hallways, writhed in the nothingness of the staircase. Daniel was positive he saw a pair of red eyes staring at him from the abyss.

“What’s your name?” the strange white-haired man asked.

“D-Daniel,” he replied.

“I’m afraid, Daniel, you must go back the way you came. This party is invitation only.” He leaned over, and his sour breath made Daniel’s skin crawl. “No exceptions.”

Blackness spilled from the halls, from the vaulted archway of the staircase. Darkness crept into the light and extinguished candle flames as it moved. A shadowy fog enveloped the room. Red eyes opened inside the massive shadow that rolled in, an ominous wave of contorted human figures. A thousand eyes stared at Daniel, like rubies shining in the blackest of nights.

The shadows rushed at Daniel. Hundreds of fingers and dozens of palms shot out from the hazy black mist, pushing him. Their collective force caused him to sway and trip over his own foot, toppling backwards onto the moonlit patio. He felt a gust of air as the heavy door slammed, and a chorus of screams erupted from his friends.

Daniel scrambled to his feet. He cleared the stairs in five steps, avoiding the broken plank and leaping onto the leafy stone path. He dashed into the tunnel of gnarled branches. He didn’t look around as he ran. If he did, he might see more of those things lurking in the shadows. And he never wanted to see one again. So he kept his eyes fixed straight ahead, focusing on the beam of moonlight at the end of the tunnel.

He emerged from the canopy of twisted tree limbs, falling to his knees in the grass. He could see the gravel road leading into town. Small buildings in the distance, at the foot of Pennington Hill, were beginning to turn out their lights. The moonlight was dimming, swallowed by a layer of clouds.

Daniel dug around in his jacket. He pulled the walkie talkie from his pocket. His shaky fingers fumbled, almost dropping the device as he flipped the power switch to “on”.

A scream rattled through the speakers. One of the boys was crying, hysterical, coughing and wheezing in fear. A blood curdling yelp poured from the walkie talkie, closer than before. Daniel thought it sounded like Sally.

Someone yelled, “Let me go!” It was a distant echo on the staticy air waves.

Then another boy spoke. This one was closer, louder. “Why are you doing this?” Jimmy pleaded.

The man’s answer rumbled over the air waves like a crack of thunder. His bassy growl shook the device. It rattled in Daniel’s hand, and he dropped it to the grass. “We are the evil eaters. We feed on evil souls.” The children all screamed in unison. There was a loud thud. The walkie talkie squealed, then fell silent.

***

The morning of November 1st dawned bright and sunny. Daylight shined through the wispy clouds. Birds chirped as they poked their beaks through the dirt, searching for food.

Daniel paced back and forth. He had arrived at the bus stop fifteen minutes early, something he hadn’t accomplished in the history of his school days. But after a sleepless night of watching the clock and waiting for morning to arrive, he was up before his alarm clock that day.

Daniel’s eyes scanned the row of neatly mowed lawns, the trimmed hedges that lined the curb. A paper boy peddled a bicycle down the street. A small dog yelped from behind a picket fence.

Daniel tried not to stare, but his vision kept settling on one house: Jimmy’s. He paced a straight line, gazing up at Jimmy’s front door every time he spun around. One thought repeated in his mind: He is dead. My best friend is dead.

Jimmy’s front door opened, and Daniel caught a glimpse of his ginger hair. Jimmy stepped from the patio, his freckled skin looking pale in the sunlight. He plodded down the length of his driveway with a spring in his step, his portly body bouncing toward the street. Daniel had never seen Jimmy walk that way before, like a small child with too much energy.

Daniel waved as Jimmy stepped onto the sidewalk and headed toward the bus stop. He knew Jimmy wouldn’t return the gesture, probably even make fun of him for waving like a little kid, but he was so relieved to see his friend alive, he didn’t care. Jimmy smiled at him—a closed lip, timid smile. Not his usual shit-eating grin. Then he extended his chubby hand into the air and waved.

Daniel waited for his friend to reach the street corner. “Uh… hey. How’s it goin’?” he asked.

“Hi!” Jimmy opened his hand and wiggled his fingers in the air, waving a second time. He smiled with his mouth closed and shoved his hands into his pockets. This wasn’t like Jimmy, whose grin often reminded Daniel of the Mad Hatter, who tossed pebbles and drew invisible pictures on the pavement with sticks, anything to keep his hands busy. It was odd to see him standing there: quietly, patiently.

“So about last night…” Daniel began.

“Oh, I know. I regret my actions, Daniel. Vandalizing property like that…. and taking candy from those children. It was terrible of me, and I apologize.”

Daniel’s mouth hung open as he attempted to respond. He blinked his eyes and slowly shook his head. “No… uh… the other part of the night. That house.”

“Ah, yes. It was wonderful! I’m so sorry you couldn’t stay.”

Daniel’s skin crawled with unease as he studied his friend. By every physical law, Jimmy Hannigan stood before him. The same voice. The same hazel eyes and rotund, freckled face. But something had changed. Those eyes lacked a certain twinkle that made Jimmy so very… Jimmy.

“It’s a beautiful day, Daniel. I think I’ll walk to school.” Jimmy turned and began to walk away, and that’s when Daniel knew. This wasn’t Jimmy. He never walked to school instead of taking the bus. He never did anything the hard way. And the apologies. Two apologies in one morning. Jimmy never said sorry… for anything. Not once in the entirety of their friendship.

Daniel watched Jimmy disappear down the sidewalk, and he felt as though his best friend had died. The bus rolled up, filling the air with exhaust fumes. A set of yellow doors swung open. Daniel shook his head and boarded the bus, feeling more alone than ever. He knew, the evil eaters had changed Jimmy. They had sucked the Jimmy right out of his soul.

A tear rolled down Daniel’s cheek. He wiped it with the back of his hand. Thirty-six years later it still bothered him to remember that strange Halloween. Jimmy Hannigan had disappeared that night, replaced by a shell of a boy.

Daniel stood at the foot of his mother’s bed. He stared blankly at the red card that looked so much like Jimmy Hannigan’s invitation. It was identical in every way, except for the words:

“Do you have a troubled child? Do you pray they will change their incorrigible ways? Look no further. We are a group of mystery men who guarantee results within the week. 100% pain free. Your child will not be harmed. We work swiftly and discreetly. Enjoy your family life. Have a loving child again. Sign the dotted line and return to the nearest mailbox. (No postage is required.)”

Jimmy’s parents had received the same card as his mother. In that moment, Daniel knew it was true. All the parents of the “bad kids” were offered an easy fix. Teddy, Sally, Dennis, Johnny: they never stood a chance.

Jimmy Hannigan had graduated with honors and went on to college. He had started a family and made his parents proud. He probably sat in an office somewhere, making good money but lacking a soul. And that is the most valuable thing of all, thought Daniel. Just ask the evil eaters.

Daniel walked the card over to the box marked “keep”. It would serve as an important reminder. His mother had protected him, accepted him, even when offered an easy solution.

He hadn’t failed her. She had always been proud.

*********************

If you enjoyed this story, consider picking up my collection for $2.99.

tooth-collector

AMAZON KINDLE: http://www.amazon.com/Tooth-Collector-Other-Tales-Terror-ebook/dp/B014EXATA4/ref=sr_1_1?ie=UTF8&qid=1441887010&sr=8-1&keywords=tooth+collector

NOOK: http://www.barnesandnoble.com/w/the-tooth-collector-lindsey-goddard/1122582822?ean=2940152114850

The Power Of A Short Story

Short fiction can be a powerful thing–an incredible thing. In fact, I have a confession: My name is Lindsey, and I’m addicted to short stories!! Horror anthologies and story collections fit my lifestyle to a tee (the lifestyle of a mommy who’s lucky to experience ten solid minutes of peace). If I can be transported to another place and experience the beginning, middle, and end of a tale in one sitting, what beats that?

Even for the light reader, or those who don’t read at all, you might be surprised how many episodes of Tales From The Crypt, Masters Of Horror, and Twilight Zone started out as short stories. Or how about Creepshow… Fear Itself… Tales From The Darkside… I could go on and on.

I’ve had this blog since March, and it suddenly dawned on me…. I need to make a list of short stories that have stuck with me long after reading. Maybe I’ll get some of you non-readers out there to pick up a book. What a lot of folks don’t realize is that you don’t have to invest two weeks in a novel to enjoy the written word. Short scares pack major punch.

Some of the stories below can be found in more than one publication. I’ve simply referenced the book where *I* encountered each story. Let us begin…

FOET by F. Paul Wilson (book: Aftershock & Others: 19 Oddities)

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This collection is full of great stories, but the story that stands out most in my mind is entitled “Foet”. It deals with the issue of abortion, and what makes it such an effective and well-executed tale is that no matter what your stance is–pro-life or pro-choice–you’re going to feel an unsettling stir of emotion. Completely enthralling.

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NEED

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WHEN IT IS DECIDED THAT THE WAR IS OVER by Gary Braunbeck (book: Rose Of Sharon)

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There were two stories in this Gary Braunbeck collection that affected me deeply. “Need” is the story of a struggling mother whose harrowing decision for her children will leave you speechless.

“When It Is Decided That The War Is Over” shows the author’s ability to capture the tragedy of war like no other. I own another book from ’96 with a Braunbeck story that blew me away. It starred character James Ryan, president of the United States, who struggles with the hopelessness of war. “When It Is Decided That The War Is Over” revisits this character but with a new narrator, an end of the world account that will send a chill straight to your core, believe me.

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SEX, DEATH, AND STARSHINE by Clive Barker (Books Of Blood Volume One)

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This story has Broadway flair, a glimpse at the behind-the-scenes drama of live theater actors, as well as the drama of…well… the undead. 🙂

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CALL FIRST by Ramsey Campbell (book: Alone With The Horrors)

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In Ramsey Campbell’s “Call First”, library worker, Ned, lets curiosity get the best of him. There is an older gentlemen who visits the library daily. This man always asks to use the phone before leaving, and he always delivers the same emotionless message into the receiver before hanging up: “I’m coming home now.” Ned is beyond curious about the mysterious daily phone call and decides to find out more about the man… but soon regrets it.

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SPARKS FLY UPWARD by Lisa Morton (book: The Living Dead)

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Sparks Fly Upward by Lisa Morton is one of those horror stories that makes you ponder some pretty heavy issues. The subject matter is controversial, but the story will knock your socks off.

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THE THINGS THEY LEFT BEHIND by Stephen King (book: Just After Sunset)

JustAfterSunset

Strange things are happening to Scott Staley almost a year after 9/11. Scott is unable to get rid of his survivor’s guilt, and things belonging to his deceased colleagues start appearing in his apartment. He tries throwing them away, yet they reappear. What can he do to cope with the deaths of his friends and co-workers on 9/11 that still haunt him a year after the tragedy?

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LOVER, COME BACK TO ME by Tim Waggoner (book: Tales From The Lake Vol. One)

Tales from the Lake Vol. 1

The opening story in Tales From The Lake Volume One scared me for the simple reason that water creeps me out… BIG TIME! Not bath water, pool water, or drinking water, of course, but those murky natural bodies of water where the depths are unknown and anything could be swimming beneath you. Tim Waggoner nailed my fear in this one. I had to take a deep breath after reading.

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So there you have it. Just a FEW short story suggestions from this fiction lover to all of you horror fans. Now… get reading!!

Interview with horror author Shaun Meeks

I’m participating in Blood Moon Rising – a month long tour of horror, sci-fi and dark fantasy authors hopping from blog to blog. 🙂 Today we’ll get to know writer Shaun Meeks and learn about the horrors he’s created. Shaun was born and raised in Toronto, Ontario. He owns his own company and is a former semi-pro skateboarder, but penning tales of terror is his true passion. Let’s pick his brain, shall we?

Shaun

Hi, Shaun. Thank you for joining us. I guess I’d like to start by asking: Why do you love the horror genre?

One of the main things I’ve always loved about horror, whether it’s watching it or reading it, is how good horror gets you right at the core and has a tendency to linger. We’re all afraid of something, and being able to tap into that primal fear is what I love to do. It’s also something I love to experience. Sitting in bed and reading a great story and feeling the need to put it down because it struck a nerve is something that most books just don’t do for me. A great example of that was when I read The Girl Next Door by Jack Ketchum. I actually needed to stop and take breathers during it because I felt overwhelmed by what I’d just read. Not an easy thing to do.

Your novel, Shutdown, concerns one of my favorite topics: genetic experimentation! Can you explain a little about it?

Without giving too much away, the story starts with a dig in Egypt where a forgotten tomb is found. In it, there is something that is not fully human, but there are traces of what could be a man or woman there. A genetics company, GenCross takes the body and tries to replicate the DNA and give birth to a living specimen of the mummified corpse. In a way, using genetic experiments in a story is a way to play with the themes found in books like Frankenstein and many by H.P. Lovecraft, not to mention Stan Lee. The idea of how we “play God” and try to bring a new lifeform, find some missing key to evolution can be done in so many different ways, I think there are always fresh ways to build on the theme.

Your short stories are everywhere! Congrats. If you had to pick a short story to be read by someone who’s never read your work, which one would you choose?

My first thought is always to suggest Taut. It first appeared in Zippered Flesh 2 and is one of those stories that people really gravitated towards. Even Ellen Datlow added it to her list of honorable mentions in Best Horror of the Year 6. It’s pretty good at showing what I tend to do in stories, which is go inside the character’s head and draw out emotional as well as physical pain.

In the end though, it depends on what it is you like. For YA stories, there’s Angel in the High Tower, if you like ghosts, Despair. For people who like Victorian Steampunk I’d say Miriam and for war story lovers, The Soldier.

What is the hardest part about writing a novel?

Editing. I take as much time as I can with the editing process, but I tend to be the type of person who can go over and over a story and change it each time. Even if I read it ten times over, I will want to add and cut things.

What scares you?

That’s a tough one. I’ve spent my life trying to face many of my fears as best I can so they aren’t there, but if I’m sitting around and look over and see a bug crawling on my arm, you’d see a less than cool and calm Shaun freaking out to get the damn thing off. I think that is part of why the scene in Taut is so accurate. I know how parts of it feel.

As far as any other fears, I guess the idea of isolation to a point (as an introvert, a big part of me always seeks isolation, but not too far), failure and drowning. When I was a kid, I nearly died in Lake Ontario. I was three or four, and can still see it now. I managed to get my stubby legs tangled in seaweed, tripped and couldn’t get back up. I fought and fought and after swallowing four disgusting mouthfuls of water, I stood up. My parents didn’t even notice it, but I never forgot it.

Some of the “future works” listed on your website include screenplays. As an author, I’d love to discuss this with you because I, too, have an interest in writing screenplays. What drew you to the idea? Do you have any specific plans for the production of your scripts once they’re complete?

Sometimes, when I come up with an idea and start to play with it and see what is the best medium to use to make it come out right. Sometimes it’s a short story, a novella or a novel. Other times it might be a graphic novel. A few times, it’s been screenplays. I wrote my first screenplay back in 1992. It wasn’t a horror piece, but more of an ode to Hong Kong action flicks. A big shoot ‘em piece. Not sure what happened to it, but it was fun to write and I always promised myself I would write another one day. The one that I currently have partial done, is a horror-comedy. The idea is something more akin to Troma or old school 80’s horror and the only way it would work, in my eyes, was as a movie. I’ve been writing it to keep a low budget in mind so I could produce it myself, or with some friends. There are some truly insane scenes in this that I would love to see come to life and I think it would be one of the first times people would see the sense of humor I have, so fingers crossed.

What are your favorite horror movies?

That’s one of the harder questions. I grew up watching horror movies in the 80’s, so I’m always drawn to them. I loved the serious toned ones, the funnier ones and just bizarre movies. For that era, I’d have to say some of my favorites are Brain Damage, From Beyond, Night of the Creeps, John Carpenter’s The Thing, Fright Night, Nightbreed and Dead Alive (aka Brain Dead).

A lot of people hate on the new horror out, but I can think of some real gems over the last few years. I’ve tended to look at more foreign horror as well, since there seems to be some real gold coming from all over the world. I think some other favorites would be Clive Barker’s Dread, Martyrs, Ichi the Killer, The Babadook, Oculus, May, Three Extremes, The Descent, and if I keep going, this would go on forever.

Favorite authors?

This is another list that could go on and on, but over the years I’ve always tried to keep it to a list of ten. One of the best things about this list though, is how it’s always changing. Depending on what I’ve been reading as of late and the mood I’m in, the list can vary. For right now I think it would be as follows: Stephen King, Clive Barker, H.P. Lovecraft, Elmore Leonard, Joe R. Lansdale, Tim Lebbon, Edward Lee, Jack Ketchum, Ray Bradbury and Caitlin R. Kiernan. I’ve had it pointed out that Elmore Leonard seems to be an odd choice in the group, but I’ve learned a lot from him as a writer and he has played a role in how I’ve developed my own style.

I have to mention the anthology Fresh Fear: Contemporary Horror because you and I both have stories in it! I really enjoyed yours, entitled “Perfection Through Silence”, and one part in particular made my toes curl because I could almost feel the character’s pain from his injuries. The story had a nice balance between gore and suspense. My question is: Do you decide beforehand how much gore a story will have (a lot, a little), or do you just let the bloody details work themselves out?

Thanks for the mention of Perfection Through Silence. That was a fun one to write and is a great example of the process I go through. When I’m writing a story, much of the details like gore, violence, suspense and even how it ends, never come into play until I’m writing. I tend to be one of those people that will start off with an idea or just an opening sentence and I go from there. I explained that to a friend once and he thought it was strange, told me it sounded too much like the story writes itself, and in a way, he was right. I think if you go into something, meaning to make it over the top and super gory, it could backfire. At least that’s how it is with my process. Everyone is different. I tried to write a bizarro piece for a magazine, the only idea was to make it really over the top and it just didn’t come out that way at all. I learned a long time ago to just let things go the way they want, to let the blood run free.

What’s the weirdest thing you’ve ever written?

That is actually an easy one. Whenever someone mentions my story Treats from At the Gates of Madness, they usually add in “what the hell were you thinking/smoking/drinking?”. To be honest, it was a story that got away from me. Originally, it was only supposed to be about a lonely man on Halloween night, watching humans disguised as monsters running the street when in the end he was a monster disguised as a human, hiding in his house and memories. Somewhere along the way, I decided to go down another road and there was Treats. If you’ve never read it, it’s not an easy one to get through as there is some very strange, disturbing and disgusting subject matter in it. That’s all I can say on it, hate to be one to spoil it for anyone curious.

What are you working on at the moment?

Right now I’m working on the edits of a new novel called Maymon. It’s a crime/occult/end of days horror novel full of monsters, demons, zombies, killers of the human kind and mayhem. Should be fun.

I also just started the second novel in the Dillon the Monster Dick series. This one, Earthbound and Down is a follow up to the soon to be released The Gate at Lake Drive and continues the story-line of Dillon, a monster/demon hunter.

On top of all that, I’m putting the finishing touches on Dark Reaches, my third short story collection due out in August, and seven different short stories. I tend to write 3000-5000 words a day and go back and forth between projects to keep it all as fresh as I can.

Where can we find you on the web?

My website is www.shaunmeeks.com
I can also be found on Facebook: www.facebook.com/pages/Shaun-Meeks/106128562748355
On Twitter: https://twitter.com/ShaunMeeks
On Google+: https://plus.google.com/u/0/100357493474555506507/posts
On Goodreads: www.goodreads.com/author/show/5818641.Shaun_Meeks
On Amazon: www.amazon.com/Shaun-Meeks/e/B007X5KZLO/ref=sr_tc_2_0?qid=1430468112&sr=8-2-ent
On Tumblr: http://shaunmeeks.tumblr.com

Thanks so much for the great questions. This was a blast!

My pleasure, Shaun. I look forward to reading more of your work.

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