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Creature Feature Novels: Spotlight on Lucas Pederson

Spring has sprung.

I don’t know about the weather in your part of the world, but in my part, the cold winds have turned to warm breezes and the flowers are in bloom. It’s the time of year when I like to sit outside and read, with the birds chirping all around. They call that “leisure reading”, don’t they? When you relax with a good book, an easy-to-digest adventure that whisks you away from reality…

I’m so glad I found the work of Lucas Pederson. You can’t go wrong with a good ol’ creature feature, and creatures are Pederson’s forte. The first of his books I read was The Cabin.

On the surface, this is the story of a diseased Bigfoot gone crazy. But the contrast of the two main characters, Brett and Mandy, is what kept me turning the pages. You’ll want to know what they are thinking, and what they’re going to do next, simply because they’re such an unlikely pair. In the dense wilds of Minnesota’s Chippewa Forest, with a blizzard beating down on them, Mandy and Brett must battle for their lives. Who will win? Man? Nature? Or creature?

After finishing The Cabin, I immediately read Badlands.

Badlands follows a nameless gunslinger referred to only as Bounty Hunter. The Bounty Hunter is not proud of the murders he commits, but the West is a corrupt place, and he’s only trying to send money home for his little girl, Ana. This novel spends a great deal of time following the adventures of Bounty Hunter before any creatures are unveiled. I enjoyed that aspect. By the time our main character is combatting monstrous dinosaurs, we have every reason to root for him. Badlands was a fun ride, and I recommend it for a leisure read on a sunny day.

In Black Water, the Cartel have found a new way to transport drugs: underwater tunnels. When the survivors of a damaged submarine are cast into these dark tunnels, they become prey for a vicious predator. Of course they will fight long and hard for their lives, but is it a futile effort? Will they become just another snack for the creature who swims the black waters?

Now, I’ve given you three suggestions, but the thing is… this guy has a TON of books! Perhaps you should peruse the catalogue and see if anything jumps out at you. Hopefully it’s not a monster.

To find the books I’ve mentioned, plus more, visit Lucas Pederson’s Amazon page by clicking here: LUCAS PEDERSON BOOKS

Thank you for stopping by DirtyLittleHorror.com

Now, go outside and read a book! Preferably HORROR!

Conversations With Dead Serial Killers

HAPPY HALLOWEEN, HORROR FAMILY!

I just finished Ashley R. Lister’s novel, Conversations With Dead Serial Killers, and I don’t believe I could have read this book at a more relevant time. The internet is rife with controversy over the recent Dahmer series. In the newly released horror movie, Terrifier 2, there’s a dinner table conversation in which the sister scolds her brother for dressing as a real-life murderer for Halloween. Every year at this time, as we embrace the “spooky season” vibe, we also ponder that fine line between tragedy and entertainment. Our Halloween traditions are a balancing act between honoring the dead and celebrating the monsters who hunt and kill them.

In Ashley Lister’s horror novel, Conversations With Dead Serial Killers, this same moral struggle is presented as we follow two con-artist brothers who exploit the deceased for profit. Derek and Clive Turner are not the most likeable guys, but a dastardly duo who’ll keep those pages turning! While Derek feigns psychic abilities and pretends to communicate with the dead, pocketing undeserved money from their surviving loved ones, Clive’s obsession with serial killers escalates to fatal proportions. This book is unique in that we’re not rooting for the main characters to overcome adversity or rise above. We are rooting for their demise. Even as antiheroes go, these siblings are a couple of bad apples who don’t inspire much empathy on the part of the reader. That’s not to say this book isn’t inspiring. It is a thought-provoking concept; the pace was 100% perfect for me, personally, and Lister understands how to use blood and gore without losing the plot to it.

There are a handful of interesting characters who play a lesser role in this depraved downward spiral of a plot, and honestly, they felt pretty real. That tells me they were written well, no matter how small their individual parts. My favorite was Sam (and I imagine a fan favorite as well), a ghost who’s come back from the dead to haunt these assholes and set them straight!

Conversations with Dead Serial Killers is sprinkled with so many fun facts about serial killers that even if you think you know it all, you’ll find a brand new nugget of trivia somewhere in these pages. Most importantly, though, it tries hard to remind us that these murderers and their victims were fact, not fiction. It makes the reader question why we put these scuzzbuckets in the limelight… while simultaneously putting them in the limelight. Seriously… horror fam, true crime fam, what is wrong with us? Lol.

I really enjoyed reading Conversations With Dead Serial Killers. I don’t have a rating system, but since it’s Halloween, I’ll give it 5 out of 5 pumpkins. Please, do check this book out for yourself! And before you go, get to know the author below!

Until next time, stay safe out there, boils and ghouls!

Ashley Lister is a prolific writer of fiction across a broad range of genres. He’s written more than one hundred short stories, articles and academic papers, and is currently working on his 63rd full length novel. Aside from regularly blogging about writing and reading, Ashley also teaches creative writing in the North West of England. He has completed a PhD in creative writing where he looked at the relationship between plot and genre in short fiction. Ashley’s current writing is an exploration of the horror genre which includes his series of novellas exploring his own interpretation of Lovecraft’s Innsmouth, the highly acclaimed Raven & Skull, a study in the horror of working in an office, and Conversations with Dead Serial Killers, a story about society’s obsession with the darkest souls.

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Brought to you by DirtyLittleHorror.com

Interview with author James Dorr

How would you describe your writing style?

Mixed-genre perhaps, or a potpourri? That is, my most recent book Tombs: A Chronicle of Latter-Day Times of Earth is a mosaic novel, or novel-in-stories, with elements of horror, dystopic science fiction, science fantasy, and dark romance blended in together, and in a style I think of as baroque – tending toward lush and literary. However, I’ve also had stories in mystery magazines that are more bare-boned, in some cases perhaps even noir. The idea for me is that the type of story will ideally suggest the style, with The Tears of Isis (to drop another title) as a possible example, a collection that begins with a poem, then a stream-of-consciousness story, and so on, ending with its title story in a fairly no-nonsense, straightforward style.

What draws you to dark fiction?

One of my primary interests is character. In my opinion the best fiction, in any genre, is that which makes its reader think, to think about what it means to be human whether in terms of relating to the world, or building new worlds as in science fiction, or intimately with just one other person, or even within the folds of one’s own mind. This last is where I think horror and dark fiction excel, in putting a character under the greatest personal stress and examining how that character then copes, or even just survives. The vampire has bitten, now what does one do? And does its playing out induce the reader to think how he or she might react as well, perhaps not to a vampire bite as such, but to other, hopefully no longer quite as extreme pressures they might be under in everyday life?

Such an eloquent response, it makes me want to sit down and read some James Dorr tonight. Please tell us about your latest release, Tombs: A Chronicle of Latter-Day Times of Earth.

On a far-future, exhausted Earth a ghoul – an eater of corpses – explores the ruins of one of its greatest cities in hopes of discovering the one thing that made its inhabitants truly human. This is the premise, the quest that leads us through the 16 stand-alone chapters, about half in fact already published in various venues as complete short stories, loosely inspired by a pair of quotations from Edgar Allan Poe, of the most poetic subject being the death of a beautiful woman (which also informs, in its way, my previous book The Tears of Isis) and of the boundaries between life and death being “at best shadowy and vague.” If these statements be true, and in an already dying world, can love be a power to even transcend death?

Looking through your Amazon page, I noticed how much you’ve been getting your fiction out there in different anthologies and magazines. Are there any of these publications that stand out in your mind as a particularly memorable experience, whether it was a lot of fun to participate in, or maybe for charity, or a badass theme?

So many things, and where to start? One story that comes to mind is called “The Wellmaster’s Daughter,” one originally written for a horror anthology that turned it down, then was rejected by a succession of other horror markets until I switched gears and sent it to Alfred Hitchcock’s Mystery Magazine where it was accepted – the first that I sold there and, at the time, one of my first wholly professional fiction sales. (It is in addition written in a mannered style, which was taking a chance for me back then, but in a sense prefigured the style later used in Tombs.) Then there’s “Moons of Saturn,” a science fantasy story that’s almost a reverie based on an astronomy book I had on the solar system, which went to Algis Budrys’s magazine Tomorrow, another early (and in my opinion, validating) professional sale. For another, “Avoid Seeing a Mouse,” which went to Max Booth III’s alternate history anthology for Dark Moon Books, Zombie Jesus and Other True Stories, and played a role in bringing about The Tears of Isis. And for a fourth, perhaps “King Rat,” written in part as an allegory on world politics and economics, that first appeared in Gothic.Net and was reprinted in Bleed, a charity anthology for The National Children’s Cancer Society.

James, I also had a story in Bleed. It was a terrific book! But now I want to know more about your 2013 collection, The Tears of Isis. It has received some great reviews. How long did it take you to put this collection together, and what do you think has made it so successful?

In that The Tears of Isis was assembled from stories already written, it didn’t take that long at all. Max Booth III had just started Perpetual Motion Machine Publishing and, having recently published me in Zombie Jesus, invited me to submit a collection to his new company. For the contents, I was to have a completely free hand as long as it came in within a certain word range, choosing and arranging the stories myself. As it happened, I’d been playing around in my head with a couple of possible collection ideas, so I emailed back suggesting I get back by about Halloween, which would have been two or three weeks, with a definite yes if I thought it feasible, then get a manuscript together by about Thanksgiving – this would be aiming for a publication date for the next spring or summer, in time to be out before that year’s World Horror Convention.

So the dates worked out. Since the stories were already written (which isn’t quite true, I did write one short one to be combined with an existing poem, while one other story was as yet unpublished) it was more a case of compilation and one thing I learned, the process was both a challenge and fun. By analogy to the sculptors in the book’s opening poem and closing story, in choosing materials from an unformed “basket” of stories from which to form a loose theme (in this case of beauty and death; of the artist conferring on his or her model both immortality, and through its objectification, a kind of destruction) and then fitting and arranging them into it, I had the thrill of watching as until-then-unrelated works formed of themselves a cohesive and artistically satisfying whole.

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Wow! That sounds like a unique collection of stories, for sure. Do you keep a notebook or file of potential story ideas? If so, how many do you think you actually end up using?

The short answer is “no.” My relationship with the muse is not a sunny one; I have to wrestle her for ideas and, if I get one, I usually try to develop it at least a little bit right away. At that point I’m likely to make some notes on a piece of scrap paper or the back of an envelope, but I’ll still try to get to work with it on the computer within a few days. (One exception: in the case of a series of stories – I have one ongoing, for instance, about the original vampires who allegedly came to New Orleans – or a created world, as in Tombs, I may keep a folder with common information, such as maps or naming conventions.)

You write poetry as well. Who are some of your favorite poets, from any era?

To go to possible extremes, I consider Edgar Allan Poe and Allen Ginsberg to be major influences. To them I might add Byron, Ezra Pound, T. S. Eliot, Chaucer, the Greek tragedians Aeschylus, Sophocles, and Euripides (these in translation, of course), any number on up to Kipling (who, after all, even wrote a poem called “The Vampire”).

Where can we find your poetry?

I’ve been lax in marketing poetry lately, though I will have a short poem in the current (Fall 2017) Star*Line. I do have a book of poetry, Vamps (A Retrospective), available from White Cat Publications as well as (although in print only, I think) Alban Lake. Also my early collections Strange Mistresses: Tales of Wonder and Romance and Darker Loves: Tales of Mystery and Regret both contain poetry sections. (These latter are technically out of print but can still be found on Amazon, et al.)

Is there any genre you’d like to attempt but haven’t tried yet?

I consider enough of my work to be cross-genre that it’s hard to answer. I’ve never written straight romance or straight westerns (or western romance, for that matter), but if I tried it’s likely that horror elements would sneak in. (Also erotica might be fun, but again. . . .)

What do you do for fun when you’re not writing?

I like watching movies, particularly science fiction and horror, but comedies too and some documentaries. I also lead and play tenor in a Renaissance recorder consort.

Where can we find you on the web?

I recommend that people follow me on my blog at http://jamesdorrwriter.wordpress.com to keep up on my latest doings. Feel free to comment too if the spirit moves. Also I’m on Facebook at https://www.facebook.com/james.dorr.9 and my Amazon Author page (lots of book titles, but most of them are anthologies where I might just have a story or poem) is at http://www.amazon.com/James-Dorr/e/B004XWCVUS/ref=sr_tc_2_0?qid=1380306038&sr=1-2-ent

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It had been a time when the world needed legends, those years so long past now. Because there was something else legends could offer, or so the Poet believed. He didn’t know quite what — ghouls were not skilled at imagination. Their world was a concrete one, one of stone and flesh. Struggle and survival. Survival predicated on others’ deaths. Far in the future, when our sun grows ever larger, scorching the earth. When seas become poisonous and men are needed to guard the crypts from the scavengers of the dead. A ghoul-poet will share stories of love and loss, death and resurrection. Tombs is a beautifully written examination of the human condition of life, love, and death, through the prism of a dystopian apocalypse.

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James Dorr’s latest book is a novel-in-stories published in June 2017 by Elder Signs Press, Tombs: A Chronicle of  Latter-Day Times of Earth. Born in Florida, raised in the New York City area, in college in Cambridge Massachusetts, and currently living in the Midwest, Dorr is a short story writer and poet specializing in dark fantasy and horror, with forays into mystery and science fiction. His The Tears of Isis was a 2014 Bram Stoker Award® finalist for Superior Achievement in a Fiction Collection, while other books include Strange Mistresses: Tales of Wonder and Romance, Darker Loves: Tales of Mystery and Regret, and his all-poetry Vamps (A Retrospective). He has also been a technical writer, an editor on a regional magazine, a full time non-fiction freelancer, and a semi-professional musician, and currently harbors a cat named Triana.

Half A Dozen Devilish Books

Devils and demons are a staple of horror literature, and I adore them in novels, novellas, and short stories. Funny enough, I feel the opposite about demonic possession in films. There are a thousand-and-one possession movies, and all of them use more or less the same plot, same tricks. But the written word is full of possibilities. It doesn’t suffer the restrictions of film and gives us room to examine the idea of demons from varying viewpoints. The loss of control, the loss of one’s self, is so frightening in a horror book.

Lately, I’ve read a lot of novels based around this very idea – possession, the devil, and ancient evil. I enjoyed each title, though no two were alike. Here are some of them – a list I’m calling Half A Dozen Devilish Books.

Come Closer

by: Sara Gran

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I decided to buy this book when someone recommended it in the comments of a Facebook thread. The status asked something like: “What was the last book that genuinely scared you?” I read this book in a day, which is a record for me. I’m normally a slow reader. The story moves along quickly, yet you really get a sense of the narrator’s desperation, her loss of self-control, and her fear. What would you do if you thought you were possessed by a demon? Who could you turn to? Who would listen?

A Head Full of Ghosts

by: Paul Tremblay

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Was teenager, Marjorie Barrett, a victim of demonic possession, or was she mentally ill? Years later, her sister looks back on their family’s dark past to unravel a tragic mystery. This book was full of suspense and chills. I absolutely loved it.

The Fisherman

by: John Langan

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Some might question my inclusion of The Fisherman here. It’s not about devils, or demons, or Hell. The Fisherman tells the tale an ancient evil capable of possessing humans, and manipulating them through their grief and sadness. Sounds pretty demonic, right? This is a slow-moving, crawl-under-your-skin-and-stay-there sort of book. I had to include it on the list.

Johannes Cabal the Necromancer (Johannes Cabal #1)

by: Jonathan L. Howard

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I’ll admit, this book was not exactly my cup of tea. Not every book is going to become a personal favorite. But I see the value of Johannes Cabal for lovers of supernatural fantasy and dark comedy. It’s a lighthearted adventure through Hell and back, and especially if you love a good series, this might be a better match for you than it was for me. It did make me laugh a bit, and I gave it 3/5 stars on Goodreads. There are several more books to follow this one, including: Johannes Cabal the Detective, Johannes Cabal: The Fear Institute, The Brothers Cabal, Johannes Cabal and the Blustery Day: And Other Tales of the Necromancer, and The Fall of The House of Cabal.

The #5 title has been removed due to the vile behavior of its author, a true devil in disguise.

Needful Things

by: Stephen King

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This is an oldie but a goodie. To be honest, I didn’t read much King in my youth. I didn’t have the patience for his story layers and – let’s face it – the enormous word counts! I’ve been reading him more in my thirties, and so far, this one ranks among my favorites. Store owner, Mr. Gaunt, is everything you could ask for in a Devil. Sly, experienced, charming, mystical, and terrifying. The shop he just opened up in Castle Rock has something for everyone. And I mean everyone. Won’t you step inside?

So there you have it. The six most devilish books I’ve read lately. Feel free to comment with your own devilish suggestions.

WIHM Interview – Kelly Evans

It’s been a great Women in Horror Month, and there’s still time for one more interview. Let’s get to know author Kelly Evans.

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How long have you been writing?

Since I was a kid. Especially horror. I wrote a series of short horror stories in high school last period English class, left them in my friend’s locker and she’d read them to her morning physics class the next day. I had a bit of a following apparently.

What draws you to horror?

I love being scared. Everyone does, don’t they? But I love figuring out what, exactly, will scare people. And then finding the words to express that horror.

Do you write any other genres?

I also write historical fiction. I’m currently working on a 3 book series about the queens of Anglo Saxon England, the first of which came out last year. I’m also shortly releasing a historical horror novel, set during the Black Death.

Is there a genre you’d like to attempt but haven’t?

I enjoy humour, but I’m not sure I could write an entire novel. I DO write satirical historical articles though.

Do you think women horror authors have a hard time getting acknowledged?

Yes, absolutely. Horror, especially the more graphic stuff, has always been aggressive and fearful, something associated with men. But women can be aggressive, believe me. We can also go softly softly, creeping into your subconscious and scaring the pants off you before you know we’re even there.

What is the most difficult thing you’ve ever written and why?

I had to write a novel for a master’s in writing I was doing. *I* enjoyed the story but my tutor hated it, just didn’t understand what I was trying to do. THAT was tough; I lost interest in the book and never finished it.

Who are some amazing female authors (from any genre, any style, any time-period)?

I’m a big fan of medieval female authors, it’s nice to get the perspective of a group of people who have often been swept aside in favour of their male counterparts. Julian of Norwich, Margery Kemp, the Paston Letters, Hildegarde of Bingen, all worth taking a peek at.

Besides writing, what brings a smile to your face?

Clever humour. My cats. And, mainly, my husband!

Did you have a favorite book as a child?

I adored The Cat in the Mirror by Mary Stolz, about ancient Egypt. Also No Flying in the House by Betty Brock, and of course A Wrinkle in Time by Madeleine L’Engle. All made a huge impression on me.

Here’s a tough one: What’s your favorite color?

Forest green.

What are you working on now, and where do you see yourself in the future?

I’m getting my historic horror ready for release, then continue with the second in my Anglo Saxon women series. I also write satirical medieval articles for my website each month, which are a LOT of fun. I’m retiring soon and will be writing full time, historical fiction and some more horror!

Where can we find you on the web?

website: http://www.kellyaevans.com

Twitter: @Chaucerbabe

Facebook: http://www.facebook.com/kellyevansauthor/

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Thanks for your support this WiHM!

Remember, there are always female horror writers out there hungry for more readers, all twelve months of the year!

WIHM Interview – L Bachman

Today we chat with L Bachman – artist, author, and woman in horror. She makes wicked cool book covers in addition to penning her own tales. Let’s find out more…

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How long have you been writing?

I have indeed! I’ve been writing since I was young, but it was only a few years ago that I began taking it seriously after forcing myself to throw caution to the wind and take the leap.

What draws you to horror?

I struggled with the genre I was writing in. I couldn’t understand genres; still have trouble from time to time honestly. The way I thought was if it’s not something that frightens me, it probably wasn’t horror, never considering that some people may be frightened by the things I wasn’t frightened by. I felt perhaps my writing wasn’t ‘scary enough’ when I read it back so it mustn’t be horror.

After I understood what I was creating, it made sense to me like someone shining a light in the dark room of my understanding of genres. I enjoy writing horror more now that I understand it. Horror, scaring others, isn’t what I intend when I write, my focus is just getting the story out before I implode, but there is appreciation in why I do what I do for at least me.

Facing fears can be cathartic, relieving even, but until the story ends, the thrill and intensity taps into something deeply rooted in all beings. That is why I’m drawn to it, facing down ‘bad guys’ or ‘bad situations’ and overcoming the fight or flight that we all deal with when dealing with the adrenaline rush we can get when reading.

Do you write any other genres?

At this moment, dark fantasy is the only one that any of my work can fall into.

 

 

Is there a genre you’d like to attempt but haven’t?

I’m working on some branching out stories from horror and dark fantasy, not a complete genre hopping, but casting out a twig to touch into those pools.

Do you think women horror authors have a hard time getting acknowledged?

I don’t think as much so now, but I can see how the history of women in horror was. There was a time when it was difficult to gain respect, for any woman writer. Many historic women writers took pen names that were either neutral or sounded more masculine.

What is the most difficult thing you’ve ever written and why?

The Painting of Martel was difficult; originally it was included in an anthology with a theme of killer clowns. I had never thought I’d write a story involving this theme and so it came hard to me, but I met my deadline. It’s been a year since it was in that anthology and after taking it, revamping it a bit, and working it into something more than it was I can say confidently that it will find a shelf space in being published on its own. May 1st, 2017 is when it goes live. Right now it’s for pre-order.

Who are some amazing female authors (from any genre, any style, any time-period)?

Personally, I find Mary Shelly and Anne Rice to be amazing writers.

Besides writing, what brings a smile to your face?

My family; my son makes me very happy, he’s so smart, and I could gush over my pride of all that he has accomplished. Family makes me truly happy beyond writing.

Did you have a favorite book as a child?

Pride and Prejudice by Jane Austin.

Here’s a tough one: What’s your favorite color?

Black.

What are you working on now, and where do you see yourself in the future?

Right now I’m working on several things at once. I’m writing The Burning Man, Mercy, and Necessary Evil. That’s the three I’m working on seriously, but I always have something in the works just put on simmer on the back burner.

Where can we find you on the web?

Facebook Page:
https://www.facebook.com/writerbachman

Twitter:
https://twitter.com/authorlbachman

Facebook Fanclub:
https://www.facebook.com/groups/bachmanblasphemer

Website for Writing:
http://lbachman.wixsite.com/lbachman

Website for Design:
http://lbachman.wixsite.com/bachmandesigns

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Women in Horror Month = free fiction!

Hello, horror buddies. Happy Women in Horror Month.

Being as I am a woman in horror, I’ll be posting this month about some awesome females I know. But before we get to that, I want to make everyone aware of all the free fiction floating around this month. Yes, FREE. The magic word.

First and foremost, not because it is my book, but because the promotion ends soon… I want to spread the word that my novella, Ashes of Another Life, is currently FREE on Kindle until the end of the day on Feb 3rd. Please, go snag a copy if you’re a Kindle reader! Search “Ashes of Another Life” on Amazon or click here:  https://www.amazon.com/Ashes-Another-Life-Lindsey-Goddard-ebook/dp/B01KDD4ZCC/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1486043611&sr=8-1

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There are lots of book giveaways this month, as women of horror plug away trying to get their names out there. Dozens of free books just waiting to be downloaded by YOU. A good place to find them is here: http://angelinetrevena.co.uk/free-horror-books

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And last but certainly not least, some scary ladies got together and wrote 100 word flash horror stories. You can find those linked below and also a video about the ladies involved.

100 word flash stories: https://kellyaevans.com/women-in-horror

 

 
Thanks for reading. In the famous words of Terminator: I’ll be back.

You CAN judge a book by its cover – a look at the work of Brett Williams

Hiya, horror freaks! Today I’d like to discuss the horrifying works written by friend and colleague Brett Williams. This is an author who is not afraid to “go there”. Though he writes in more than one genre, his horror books tend to gravitate toward the extreme and taboo, in the same vein as Edward Lee.

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I have read three of Brett’s books to date. The first one, From Murky Depths, was a light read with none of the depravity of the latter two, High Octane Damnation and Family Business. I, myself, don’t read much extreme horror. Believe it or not, violence is not really my thing. Lol. Who woulda thought? But despite my sub-genre preferences, I DO recognize a well-written, solid piece of fiction when I see it, and Brett Williams always delivers.

What am I getting at with this preamble? Well, as you can imagine, writing extreme horror containing graphic and sexual content always brings in bad reviews, and I guess I’m tired of seeing it. I’m tired of reading reviews claiming a book is garbage just because the reader picked out the wrong type of book for him or herself. There should be no surprise that Brett’s book Family Business contains rape. The cover image is a mostly naked woman behind bars! Did the reader think this sexualized woman behind bars was starring in a romance role? Doubtful. The truth is, the entire novel is oddly compelling from start to finish whether you want to keep reading or not, and the reader who posted the bad review that inspired this blog was probably just disappointed in himself for staying glued to the whole thing! What a sicko! Hahaha. I joke, I joke.

Anyway, I’m here to shout from a mountain top (or from my couch) that you absolutely CAN – in fact SHOULD – judge a book by its cover before you dig in. If there’s a lot of sexuality and blood, or if it’s named “Lucifer’s Whore” for instance, and you still decide to open up those pages and start reading, you just forfeited your right to leave a terrible review based on graphic content, in this blogger’s opinion.

So… there’s my two cents. Seems obvious. I don’t buy a thong swimsuit and complain it shows too much butt cheek. Use your brains, folks. Buy the books you’re likely to enjoy. In fact, here are some covers for books written by Brett Williams. Please, JUDGE THEM accordingly and then decide… do you want to know what’s inside? (I bet you do NOW. Lol.) 🙂

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To find out more about this author, please visit: http://brettwilliamsfiction.com

Fifty Days ‘Til Halloween and a Free Story To Celebrate

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Horror folk, gather ’round. Our favorite season is upon us! Soon the leaves will fall; the candy will flow. Naysayers might wonder, “Why start the countdown so soon?” Hahaha. A lot of us started our countdown on November 1st of last year! Am I right??? 🙂

So anyway, I just released a collection for Kindle and NOOK entitled The Tooth Collector and Other Tales of Terror, and since one of the stories is Halloween-themed, I’d like to share it here.

This story originally appeared in Dark Moon Digest. I hope you enjoy it.

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Daniel turned the pages of his mother’s photo album, fighting back tears. Pictures of his own face—in various stages of development—stared back at him, a reminder of innocence lost. Snapshots filled each glossy slot in careful chronological order. His mother’s handwriting marked the months and years on bits of paper underneath. A familiar lump returned to his throat as he resisted the urge to cry.

Daniel closed the book and rubbed his eyes. He couldn’t shake the feeling that he had failed her. He was a loser. After forty-eight years of life, it was obvious. He hadn’t accomplished much of anything, so busy following his dreams that he never thought to set aside money for his mother’s needs.

In the end, when mom had passed, he was forced to sell the few valuables he owned just to pay for her funeral. Even then, he couldn’t afford a casket. Mom now rested in a porcelain urn.

He stood up from the foot of his mother’s bed and smoothed the wrinkles from the cover. It occurred to him that this was a pointless action, that sooner or later the bedding would join her other possessions in a truck heading for the nearest Goodwill. But he adjusted it anyway, noticing its age for the first time. It was the same ragged quilt she’d been using for decades.

He looked around the room at the outdated decor, the open closet full of thrift store dresses, the ancient TV atop her dresser. She hadn’t lived a glamorous life. Her only child, Daniel, had failed to provide.

Placing the photo album in a box marked “keep”, Daniel turned to face the rest of the closet’s contents. The clothes would all go; that was easy. The boxes full of knickknacks and keepsakes, those would take some time to sort through. He owed her that much, to handle her items with care. They were memories, after all, souvenirs from a lifetime spent encouraging her loser son. First, with his failed movie career. Then, with his non-selling novels. Mother always kept the faith that he’d succeed.

Daniel grabbed a shoe box from the shelf and placed it on the bed. It was old, the logos obviously passé. His fingers left prints on the dusty surface as he removed the lid, setting it aside. The box contained papers—some folded, some rolled, some small enough to fit without bending. He unrolled a paper: the deed to the house. He walked it over to the “keep” container, setting it next to the box so it wouldn’t get buried beneath the other items as he sorted.

He started a pile of old receipts, crumbling them as he scanned them for importance. And then, further down, underneath the top layer of papers, he spotted something that made his brow furrow. It looked exactly like something he’d seen in his youth. The words were different, but there was no mistaking the font.

He picked up the red post card with the bold, black text. The words were scrawled in haunting, gothic letters. As a boy, he had marveled at the shape of each character. He’d never seen writing like it. And now—as a grown man—he knew he hadn’t seen it since.

There was no picture, no friendly greeting, not even a stamp. The card was the color of blood, but lacking the glossy coat that some post cards possess. Just the dull, crimson paper with the strange black letters.

He remembered how Jimmy Hannigan had gloated, waving it around. A chubby redheaded kid with an ego so big it made you wonder what he saw in the mirror, he carried himself with an attitude that suggested he was Top Dog. Jimmy was a hellion, a cool outlaw, trapped in the body of an overweight ginger. Daniel knew this was why he bullied the other kids, like in that moment, as he taunted Daniel with the post card in his hand. “Didn’t get one, huh?”

“Don’t want one.” Daniel kicked a rock with his dirty Ked sneaker, eyeing Jimmy with thinly veiled chagrin.

Ever since the delivery man had appeared on Jimmy’s doorstep and handed him the strange invitation, he couldn’t stop beaming from ear to ear. Jimmy had spent the school day with that dumb smile on his face, questioning all the children in their seventh grade class. “Did you get one?” he would ask, waving the crimson card around. With each “no” he seemed to walk a little taller, as if hand-picked to join a group of socialites.

The invitation itself was peculiar. The letters looked like they belonged in the credits of Vampira or The Addams Family, and Daniel was thoroughly intrigued. He found himself trailing Jimmy as he posed the question to each classmate. So far only Teddy Green, Dennis Halloway, and Johnny Cougar had matching post cards. The oddest part: they were the worst kids in school.

Daniel was partly telling the truth when he said he didn’t want an invitation. There was a twinge of jealousy at having been excluded, but something about the blood red card, inviting the recipient to the “best haunted house this Halloween” sent a chill down the length of Daniel’s spine. He had been there when the delivery man arrived on Jimmy’s doorstep. The lanky figure in the long, black trench coat seemed to appear out of thin air that afternoon. One moment they were discussing Heather Janeson’s tits, the next they were sitting in his shadow.

The autumn air was crisp, carrying the scent of fallen leaves, and it whipped at the stranger’s colorless hair, which hung in a tangled mess from beneath his ebony top hat. His face was even paler than his thin, white hair, and his dark eyes leered at Daniel from the shadows of the hat’s brim.

“Are you Mister Jimmy Hannigan?” his deep voice inquired. Daniel thought it sounded more like a growl than a question. He caught a glimpse of sharp teeth as the delivery man spoke. Slick with spit, the jagged teeth glistened behind chapped lips, brownish-yellow and tapered into points. Jimmy, who was accustomed to speaking his mind, who had told countless teachers and parents to “fuck off”, only nodded in response, taken aback by the proximity of the imposing figure.

The man handed Jimmy a black envelope and curled his lips in a closed-mouth smile. The expression seemed to strain the muscles of his face, as if causing him actual pain. Daniel caught another glimpse of those cat-like teeth as the man spoke again in that low, bassy tone, “We hope you can make it.” With a tip of his satin top hat, the man turned and walked away, leaving the boys to stare at the envelope in wonder.

“Open it,” said Daniel, licking his lips.

“Chill out, spaz. I just got it ten seconds ago.”

Daniel looked in the direction the man had walked, but he was nowhere to be seen… already gone. “That guy gave me the creeps.” He rubbed the goosebumps from his arms.

“That’s because you’re a pussy,” Jimmy said with a roll of his eyes. He ripped at the envelope, shredding the seal. His eyes widened as he read the words aloud, “You are invited to Manic Manor, the most terrifying haunted house in the state.”

Realization dawned on the boys, and they laughed, releasing their tension.

“So that explains the creepy getup,” said Jimmy. But not the creepy teeth, thought Daniel.

“Admission is paid in full, courtesy of someone who believes you can survive the terror.” Jimmy looked up, pride obvious in his eyes. “Halloween night. 10 o’clock. The old mansion on Pennington Hill.”

***

Leaves skittered down the sidewalk in the autumn breeze. The jack-o-lantern’s candle had burned down to a nub, its flame fighting to stay lit against the wind. Daniel breathed deep the smell of melted wax. It was a comforting aroma, reminding him of past Halloweens, when he’d been allowed to enjoy the festivities. Now he was twelve, going on thirteen. Too old for silly costumes and trick-or-treating.

Jimmy smacked his lips, savoring the candy bar with as much etiquette as a pig at the trough. “You sure you don’t want some?” he asked, holding the bag out to Daniel.

He shook his head, “No man. It aint even ours.”

Jimmy rolled his eyes. “Okay, suit yourself.” He plunged his chubby hand into the depths of the treat bag, digging for another snack to join the pile of empty wrappers at his feet.

Daniel watched his pal, pondering—as he often did—what exactly made them best friends. Teachers, parents, authority figures: they all pegged Daniel for a hooligan because of the company he kept. He could save himself a lot of trouble and accusations if he just stopped hanging around with Jimmy. The truth was, deep down, Daniel didn’t feel like a bad guy. He didn’t want to smash pumpkins or egg houses. He especially didn’t want to steal candy. Yet, those are the activities that had filled his evening, because for some reason, Jimmy Hannigan was his pal.

“What time is it?” asked Jimmy, sucking the chocolate from his fingers.

Daniel checked his watch. “It’s 9:12.”

Jimmy jumped to his feet. “Shit, we’re gonna be late!” He dumped a handful of candy into the bag, stuffing the empty wrappers into the pockets of his jeans. He stashed the stolen candy in the bushes, where his parents would be none the wiser.

Daniel stood from the porch, his eyebrows arched high. “Hold up. We are gonna be late?”

“Yeah, man. You didn’t think I’d go without my best friend, did ya?”

Daniel thought. “Well, what—what if they don’t let me in?”

“Hell man, I don’t know. Let’s go find out!”

***

The abandoned mansion towered against a backdrop of tiny stars as the boys groaned, rubbing their feet. Daniel marveled at how far they’d come, loosening the laces of his grass-stained tennis shoes. The road snaked its way downhill, winding through the forest and back out again, until it met with the heart of town. There had been an unspoken consensus to travel it alone, without the cushy comforts of a car. He scarcely believed they’d climbed the entire hill on foot as he stared down upon the rooftops, breath forming clouds in the crisp October air.

One by one, they had gathered outside the iron gate: Teddy Green, Dennis Halloway, Johnny Cougar, and Sally Hendricks. A scraggly-haired tyrant of a girl, Sally’s name struck fear into the hearts of her classmates. She might as well be one of the guys.

Daniel noted, with mild amusement, that the amount of lunch money stolen between these kids might be enough to jump start a small business. He snorted through his nose to keep from laughing, catching a suspicious sideways glance from Teddy, whose narrow eyes wiped the smirk from Daniel’s face.

Dark windows stared down at the children, like empty eye sockets in a moldering face. The once-glorious home loomed over them, glowing gray in the moonlight. The rotting wood exterior was riddled with tiny, black knots. Dead, brittle vines weaved through the broken slats of the lattice, cobwebs visible in every corner. The gauzy white webs accented the frame of the tall, black door, which seemed to sit crooked in the face of the house.

Pennington Hill had once been the subject of envy around town. Built for the mayor and his prestigious family, the three story, twenty-eight room manor had been the setting for galas and elite social events. As decades passed, the wealthy class developed a desire to blend in. A mansion atop a hill became a thing of the past, an ostentatious display of riches. Following the family’s departure a near century after it was built, no one seemed to know what to do with the old house. It sat, untouched, for so many years that it fell into immense disrepair.

The children heard the squeaking of a shutter as it hung from its hinge and thumped against the window frame. A lone owl hooted in the distance, sounding too much like a horror movie sound effect. Their warm breath formed white clouds in the air as they waited.

Johnny Cougar’s blue eyes darted from face to face, as he rocked back and forth on his heels. “What should we do? Climb the gate?”

Jimmy shook his head, pointing at the invitation. “Patience, bonehead. It says right here: 10 o’clock. Just wait a minute. Someone will let us in.”

As if on cue, the wrought iron gates swung open. Teddy and Dennis stepped forward, showing no fear at the sight of the heavy gates moving on their own. Johnny and Sally glanced back, at the road leading home, then forward to the gates, which scraped along the gravel as they opened. “Pretty cool trick,” said Johnny.

“Yeah, pretty cool.”

Jimmy pulled Daniel aside. He patted the pocket of his jacket where a walkie talkie was hidden. His freckled cheeks puffed up as he beamed a crooked smile. “Remember, even if you don’t get in, you can listen.” Jimmy’s hazel eyes twinkled in the plump roundness of his face. He raised his hands to Daniel’s shoulders, grinning like he’d given him the best gift in the world by letting him tag along. Jimmy had insisted on bringing the walkie talkies, just in case the two boys got separated. His best friend was coming with him, no matter what. “You ready?” he said, squeezing Daniel’s shoulders with his palms.

Daniel nodded, “Yeah, let’s go.

“Together they walked under an archway that connected the pillars of each gate. Granite faces peered at them from intricate carvings in the stone. The gray eyes seemed to follow them as they passed. Both boys noticed, but neither one said a word.

Trees lined the stone path leading to the mansion’s front door. Twisted limbs entangled from opposite sides of the path, forming a tunnel of gnarled branches and leaves. A canopy of twigs and fire-colored leaves entwined above their heads, throwing the children into darkness. Moonbeams shined through the gaps in the branches, casting thin patches of light across their bodies as they crunched over the fallen leaves that littered the pebbled ground.

Shadows moved in the foliage, weaving through the tree trunks. At first Daniel thought it was dogs on the other side of the branches, but the more he focused his eyes, he saw dark splotches moving along the inside of the tunnel. The shadows looked human in shape, as if cast by the group of kids, but there wasn’t enough moonlight for that. The black figures moved in a blur, so quickly Daniel couldn’t single one out.

The trunks were covered in a dark brown, crumbling bark that seemed to move, like the puffing of a chest as it breathes. Daniel knew it was foolish, but he felt as though the trees were alive. He could hear them panting: a labored wheezing sound over the whistling of the wind down the trail.

“Do you hear that?” Daniel clenched Jimmy’s arm, urging him to stand still and listen.

Jimmy cocked his head, waiting. “Hear what?”

Daniel paused. He scanned the mossy trunks, waiting for the vegetation to move. Waiting for the bark to ripple as it had seconds earlier. Nothing happened. “Nevermind,” he said, biting his lip.

Jimmy chuckled. There was a nervous, high-pitched lilt to his laugh. “C’mon, man. Let’s keep going…” They jogged to catch up with the others.

Dennis and Teddy reached the staircase first. They glanced back, suddenly aware of how shadows crowded the porch, dark and unmoving. They resembled human figures, huddled together in the darkness of the covered patio.

The tough guys searched the faces of their peers. Their eyes said it all: They were just as scared as Daniel. They gripped the wooden railing that ascended the stairs to the pillared wrap-around porch. The archway was fit for a cathedral, aside from the mold that speckled the wood and the peelings of paint that hung in large chunks, fluttering in the breeze. With a gulp, Teddy and Dennis climbed the stairs. The other children followed, close behind.

Daniel jumped when a wooden stair broke with a loud crack, splitting under his foot. The others looked back with smirks on their faces as if to say “Smooth move, dork.” But no one said a word as they reached the top step and the shadows retreated to the far side of the porch.

The crickets stopped chirping on Pennington Hill. Everything went silent, save for the nervous breathing of the children and another noise, like the raspy wheezing of a thousand creatures, so quiet you could barely make it out. And it was coming from the shadows.

Sally grabbed the rusty door knocker. She tried desperately to steady her hand as she thudded the metal ring three times. She couldn’t let the boys see how nervous she was. She stifled a gasp when the door knocker blinked its beady eyes. She glanced around. No one else had seen it aside from Sally and Daniel, but the copper lion, green in its old age, had blinked its eyes as she banged on the door.

The door creaked open without so much as a push. The large marble foyer was covered in dust and dimly lit by tall candelabras. Daniel’s eyes adjusted, and he realized the flames flickered atop piles of bones. Each candelabra was mounted to a grotesque stack of skulls, layered together like bricks in a pillar. While his friends admired the “special effects”, Daniel was pretty sure he spied a skull with some of the flesh still attached. A rotted eyeball dangled from the socket by a wet, pink thread. It all looked too real to be safe.

The man who had delivered the invitations stood dead center, in a ring of candlelight. Flames danced in the dark, sunken sockets above his jagged cheek bones, mirroring the fire from the candles. He wasn’t wearing his top hat, and his white hair hung in thinning patches from his sickly, pale scalp. Blue veins showed through his nearly translucent skin as he pressed a hand to his abdomen and bowed.

The man stepped forward. His black suit reminded Daniel of the shadow people.

He could see them, dark figures huddled together in the inky blackness of the hallway. The man’s voice was a low growl as he spoke. “Sally,” he said, nodding in her direction. “Teddy, Danny…” His pale face studied the children, thin lips pulled taut over his ghoulish, pointed teeth. “Johnny and Jimmy…” His dark eyes settled on Daniel. “and… who do we have here?” He clasped his spindly fingers together in a steeple-like formation and slanted his thin eyebrows at Daniel.

The shadows deep within the house, past the ring of candlelight and hiding in the darkness, seemed to pulsate and stir. Their collective breathing rose higher in volume, yet it was still barely audible, like a gust of wind whistling through the old mansion. Human forms stirred in the hallways, writhed in the nothingness of the staircase. Daniel was positive he saw a pair of red eyes staring at him from the abyss.

“What’s your name?” the strange white-haired man asked.

“D-Daniel,” he replied.

“I’m afraid, Daniel, you must go back the way you came. This party is invitation only.” He leaned over, and his sour breath made Daniel’s skin crawl. “No exceptions.”

Blackness spilled from the halls, from the vaulted archway of the staircase. Darkness crept into the light and extinguished candle flames as it moved. A shadowy fog enveloped the room. Red eyes opened inside the massive shadow that rolled in, an ominous wave of contorted human figures. A thousand eyes stared at Daniel, like rubies shining in the blackest of nights.

The shadows rushed at Daniel. Hundreds of fingers and dozens of palms shot out from the hazy black mist, pushing him. Their collective force caused him to sway and trip over his own foot, toppling backwards onto the moonlit patio. He felt a gust of air as the heavy door slammed, and a chorus of screams erupted from his friends.

Daniel scrambled to his feet. He cleared the stairs in five steps, avoiding the broken plank and leaping onto the leafy stone path. He dashed into the tunnel of gnarled branches. He didn’t look around as he ran. If he did, he might see more of those things lurking in the shadows. And he never wanted to see one again. So he kept his eyes fixed straight ahead, focusing on the beam of moonlight at the end of the tunnel.

He emerged from the canopy of twisted tree limbs, falling to his knees in the grass. He could see the gravel road leading into town. Small buildings in the distance, at the foot of Pennington Hill, were beginning to turn out their lights. The moonlight was dimming, swallowed by a layer of clouds.

Daniel dug around in his jacket. He pulled the walkie talkie from his pocket. His shaky fingers fumbled, almost dropping the device as he flipped the power switch to “on”.

A scream rattled through the speakers. One of the boys was crying, hysterical, coughing and wheezing in fear. A blood curdling yelp poured from the walkie talkie, closer than before. Daniel thought it sounded like Sally.

Someone yelled, “Let me go!” It was a distant echo on the staticy air waves.

Then another boy spoke. This one was closer, louder. “Why are you doing this?” Jimmy pleaded.

The man’s answer rumbled over the air waves like a crack of thunder. His bassy growl shook the device. It rattled in Daniel’s hand, and he dropped it to the grass. “We are the evil eaters. We feed on evil souls.” The children all screamed in unison. There was a loud thud. The walkie talkie squealed, then fell silent.

***

The morning of November 1st dawned bright and sunny. Daylight shined through the wispy clouds. Birds chirped as they poked their beaks through the dirt, searching for food.

Daniel paced back and forth. He had arrived at the bus stop fifteen minutes early, something he hadn’t accomplished in the history of his school days. But after a sleepless night of watching the clock and waiting for morning to arrive, he was up before his alarm clock that day.

Daniel’s eyes scanned the row of neatly mowed lawns, the trimmed hedges that lined the curb. A paper boy peddled a bicycle down the street. A small dog yelped from behind a picket fence.

Daniel tried not to stare, but his vision kept settling on one house: Jimmy’s. He paced a straight line, gazing up at Jimmy’s front door every time he spun around. One thought repeated in his mind: He is dead. My best friend is dead.

Jimmy’s front door opened, and Daniel caught a glimpse of his ginger hair. Jimmy stepped from the patio, his freckled skin looking pale in the sunlight. He plodded down the length of his driveway with a spring in his step, his portly body bouncing toward the street. Daniel had never seen Jimmy walk that way before, like a small child with too much energy.

Daniel waved as Jimmy stepped onto the sidewalk and headed toward the bus stop. He knew Jimmy wouldn’t return the gesture, probably even make fun of him for waving like a little kid, but he was so relieved to see his friend alive, he didn’t care. Jimmy smiled at him—a closed lip, timid smile. Not his usual shit-eating grin. Then he extended his chubby hand into the air and waved.

Daniel waited for his friend to reach the street corner. “Uh… hey. How’s it goin’?” he asked.

“Hi!” Jimmy opened his hand and wiggled his fingers in the air, waving a second time. He smiled with his mouth closed and shoved his hands into his pockets. This wasn’t like Jimmy, whose grin often reminded Daniel of the Mad Hatter, who tossed pebbles and drew invisible pictures on the pavement with sticks, anything to keep his hands busy. It was odd to see him standing there: quietly, patiently.

“So about last night…” Daniel began.

“Oh, I know. I regret my actions, Daniel. Vandalizing property like that…. and taking candy from those children. It was terrible of me, and I apologize.”

Daniel’s mouth hung open as he attempted to respond. He blinked his eyes and slowly shook his head. “No… uh… the other part of the night. That house.”

“Ah, yes. It was wonderful! I’m so sorry you couldn’t stay.”

Daniel’s skin crawled with unease as he studied his friend. By every physical law, Jimmy Hannigan stood before him. The same voice. The same hazel eyes and rotund, freckled face. But something had changed. Those eyes lacked a certain twinkle that made Jimmy so very… Jimmy.

“It’s a beautiful day, Daniel. I think I’ll walk to school.” Jimmy turned and began to walk away, and that’s when Daniel knew. This wasn’t Jimmy. He never walked to school instead of taking the bus. He never did anything the hard way. And the apologies. Two apologies in one morning. Jimmy never said sorry… for anything. Not once in the entirety of their friendship.

Daniel watched Jimmy disappear down the sidewalk, and he felt as though his best friend had died. The bus rolled up, filling the air with exhaust fumes. A set of yellow doors swung open. Daniel shook his head and boarded the bus, feeling more alone than ever. He knew, the evil eaters had changed Jimmy. They had sucked the Jimmy right out of his soul.

A tear rolled down Daniel’s cheek. He wiped it with the back of his hand. Thirty-six years later it still bothered him to remember that strange Halloween. Jimmy Hannigan had disappeared that night, replaced by a shell of a boy.

Daniel stood at the foot of his mother’s bed. He stared blankly at the red card that looked so much like Jimmy Hannigan’s invitation. It was identical in every way, except for the words:

“Do you have a troubled child? Do you pray they will change their incorrigible ways? Look no further. We are a group of mystery men who guarantee results within the week. 100% pain free. Your child will not be harmed. We work swiftly and discreetly. Enjoy your family life. Have a loving child again. Sign the dotted line and return to the nearest mailbox. (No postage is required.)”

Jimmy’s parents had received the same card as his mother. In that moment, Daniel knew it was true. All the parents of the “bad kids” were offered an easy fix. Teddy, Sally, Dennis, Johnny: they never stood a chance.

Jimmy Hannigan had graduated with honors and went on to college. He had started a family and made his parents proud. He probably sat in an office somewhere, making good money but lacking a soul. And that is the most valuable thing of all, thought Daniel. Just ask the evil eaters.

Daniel walked the card over to the box marked “keep”. It would serve as an important reminder. His mother had protected him, accepted him, even when offered an easy solution.

He hadn’t failed her. She had always been proud.

*********************

If you enjoyed this story, consider picking up my collection for $2.99.

tooth-collector

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NOOK: http://www.barnesandnoble.com/w/the-tooth-collector-lindsey-goddard/1122582822?ean=2940152114850

The Power Of A Short Story

Short fiction can be a powerful thing–an incredible thing. In fact, I have a confession: My name is Lindsey, and I’m addicted to short stories!! Horror anthologies and story collections fit my lifestyle to a tee (the lifestyle of a mommy who’s lucky to experience ten solid minutes of peace). If I can be transported to another place and experience the beginning, middle, and end of a tale in one sitting, what beats that?

Even for the light reader, or those who don’t read at all, you might be surprised how many episodes of Tales From The Crypt, Masters Of Horror, and Twilight Zone started out as short stories. Or how about Creepshow… Fear Itself… Tales From The Darkside… I could go on and on.

I’ve had this blog since March, and it suddenly dawned on me…. I need to make a list of short stories that have stuck with me long after reading. Maybe I’ll get some of you non-readers out there to pick up a book. What a lot of folks don’t realize is that you don’t have to invest two weeks in a novel to enjoy the written word. Short scares pack major punch.

Some of the stories below can be found in more than one publication. I’ve simply referenced the book where *I* encountered each story. Let us begin…

FOET by F. Paul Wilson (book: Aftershock & Others: 19 Oddities)

aftershock

This collection is full of great stories, but the story that stands out most in my mind is entitled “Foet”. It deals with the issue of abortion, and what makes it such an effective and well-executed tale is that no matter what your stance is–pro-life or pro-choice–you’re going to feel an unsettling stir of emotion. Completely enthralling.

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NEED

and

WHEN IT IS DECIDED THAT THE WAR IS OVER by Gary Braunbeck (book: Rose Of Sharon)

rose

There were two stories in this Gary Braunbeck collection that affected me deeply. “Need” is the story of a struggling mother whose harrowing decision for her children will leave you speechless.

“When It Is Decided That The War Is Over” shows the author’s ability to capture the tragedy of war like no other. I own another book from ’96 with a Braunbeck story that blew me away. It starred character James Ryan, president of the United States, who struggles with the hopelessness of war. “When It Is Decided That The War Is Over” revisits this character but with a new narrator, an end of the world account that will send a chill straight to your core, believe me.

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SEX, DEATH, AND STARSHINE by Clive Barker (Books Of Blood Volume One)

BooksOfBlood-Volume1

This story has Broadway flair, a glimpse at the behind-the-scenes drama of live theater actors, as well as the drama of…well… the undead. 🙂

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CALL FIRST by Ramsey Campbell (book: Alone With The Horrors)

alone

In Ramsey Campbell’s “Call First”, library worker, Ned, lets curiosity get the best of him. There is an older gentlemen who visits the library daily. This man always asks to use the phone before leaving, and he always delivers the same emotionless message into the receiver before hanging up: “I’m coming home now.” Ned is beyond curious about the mysterious daily phone call and decides to find out more about the man… but soon regrets it.

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SPARKS FLY UPWARD by Lisa Morton (book: The Living Dead)

the_living_dead

Sparks Fly Upward by Lisa Morton is one of those horror stories that makes you ponder some pretty heavy issues. The subject matter is controversial, but the story will knock your socks off.

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THE THINGS THEY LEFT BEHIND by Stephen King (book: Just After Sunset)

JustAfterSunset

Strange things are happening to Scott Staley almost a year after 9/11. Scott is unable to get rid of his survivor’s guilt, and things belonging to his deceased colleagues start appearing in his apartment. He tries throwing them away, yet they reappear. What can he do to cope with the deaths of his friends and co-workers on 9/11 that still haunt him a year after the tragedy?

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LOVER, COME BACK TO ME by Tim Waggoner (book: Tales From The Lake Vol. One)

Tales from the Lake Vol. 1

The opening story in Tales From The Lake Volume One scared me for the simple reason that water creeps me out… BIG TIME! Not bath water, pool water, or drinking water, of course, but those murky natural bodies of water where the depths are unknown and anything could be swimming beneath you. Tim Waggoner nailed my fear in this one. I had to take a deep breath after reading.

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So there you have it. Just a FEW short story suggestions from this fiction lover to all of you horror fans. Now… get reading!!