Author Archives: lindseygoddard
DAY FIVE of The Dirty Dozen, 12 Days of X-mas: Death March Studio
It’s Day 5 of our 12 Days of X-mas bash!
I can’t afford five golden rings, but I’ve got lots more horror to spread! I do love dark photography, don’t you? Please welcome special guest Death March Studio. If you like their work, check out their Facebook page! https://www.facebook.com/Death-March-Studio-893543987368494
I’d also like to credit the models (and I hope I snagged their names correctly from the page): Tara Tarpey, Christina Marie, and Nick Schultz appear in these photos. Enjoy.






Death March Studio. If you like their work, check out their Facebook page! https://www.facebook.com/Death-March-Studio-893543987368494
DAY FOUR of The Dirty Dozen, 12 Days of X-mas: Still Life
Wow. We are already a third of the way through our 12 Days of X-mas celebration. Yup, yup, it is day 4. And I’ve got something way better than “four calling birds” to share with you. This short film is one of the most chilling YouTube horror movies I’ve seen. The video itself is pretty old by Internet standards and a tad blurry since it was uploaded a decade ago… but trust me, it’s worth your time.
I present for your viewing pleasure… Still Life…
DAY THREE of The Dirty Dozen, 12 Days of X-mas: Adam Pixel Horrography
Welcome to day 3 of Dirty Little Horror’s 12 day celebration. What’s horror got to do with X-mas, you ask? Why all the fuss? I’ll tell you why: Because the holidays are stressful, and horror fans need the distraction!
Today, we celebrate dark photography with haunting images from Adam Pixel Horrography. Many thanks to Adam (whose page is linked below) and the beautiful models Ashen Falls and Donna Kennedy.
https://www.facebook.com/Adam-Pixel-Horrography-701421573282041
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VISIT ADAM PIXEL HORROGRAPHY ON FACEBOOK:
https://www.facebook.com/Adam-Pixel-Horrography-701421573282041
Thanks for stopping by, and I promise – weird or not – I shall continue to fill your holiday season with blood and guts! See you tomorrow!
DAY TWO of Dirty Dozen, 12 Days of X-mas: La Cabina, a movie review by Dene Bebbington
DEADLY TELEPHONE BOXES
by: Dene Bebbington
A telephone box isn’t scary. Well, not unless you’ve seen the short surreal horror called La Cabina – translated to The Telephone Box in English. Dating back to 1972, this Spanish TV production by Antonio Mercero demonstrates perfectly that an innocuous fixture in the public sphere can become a source of terror. And the only monsters making an appearance in the film are human.
Horror writer Stephen King once likened reading a novel to having a long and satisfying affair. He contrasted that with a short story being like a quick kiss in the dark from a stranger. This metaphor can be carried over to films. La Cabina at a mere 35 minutes long leaves a lasting, and disturbing, impression because of its short and surreal nature. Like any good short horror story it provides no explanations for the situation that the victim finds himself in.

Only read on if you’re prepared for spoilers!
The story begins with four workmen in a phone company truck arriving at a plaza surrounded by apartment buildings. They unload a red telephone box from the back of the truck and install it in the middle of the plaza and leave its door ajar. A human venus fly trap has been set.
Shortly afterwards a middle aged suited man sees his son off to school and then decides to go into the telephone box to make a call. He soon finds that the phone is out of order, but while trying it the door has closed behind him. Initially puzzled that the door won’t open he then becomes agitated and tries to force it open, to no avail. He doesn’t have to wait long before two men walking by on their way to work spot his predicament and fruitlessly try to pull the door open. Unfortunately they can’t stick around and have to leave. More people have noticed what’s going on and a crowd starts to gather – obviously this is entertainment in a town where nothing much normally happens.

The mood of the film so far is fairly lighthearted, though it’s easy to feel sympathy for the man whose discomfort and embarrassment has become palpable now he’s also an object of curiosity and amusement. The next few minutes are played mainly for laughs as several people, including a couple of policemen, try to pull the phone box door open only to fail and fall over backward with the door handle in their hands. The crowd itself becomes a source of curiosity too. There’s a tall man stealing cakes from a tray a boy holds on his head; an old woman is invited to sit on a chair a man was taking somewhere; a couple of workmen stand around with a big mirror; and children taunt the trapped man.
Symbolism and homages quickly emerge. For instance, we notice that two of the onlookers are women sat chatting and knitting. This is presumably a reference to Madame Defarge who sits knitting while people go their deaths in Charles Dickens’ novel A Tale of Two Cities.
Eventually a fire truck arrives and the firemen decide to break the glass of the phone box. One of them gets on top of the box and is just about to smash the glass with a sledgehammer when the phone company truck comes back, its horn beeping for attention.
The phone company workmen proceed to load the phone box onto their truck. It’s at this point that the man inside realises that something is more than a little amiss with the situation. Despite his obvious panic and gestures to the workmen to get him out, the crowd wave him off with cries of “Good luck”. Having been so close to escape his fate is getting even more puzzling.
Like some kind of peculiar mobile freak show the truck drives through the town with the trapped man eliciting jokes by passers by and lots of friendly waves. Much to his chagrin, people continually misunderstand his gestures for help. On the way out of town they come to a halt in traffic and by the side of the road is a funeral party standing around a glass casket containing a corpse on display. This is an unsubtle way of signalling the man’s own fate. A little later while stopped at traffic lights another phone company truck pulls up alongside and on it is an identical phone box with a man stuck inside it. Looks of empathy and questioning pass between the two men before the other truck pulls away. Our man then becomes even more panicked and desperately tries to get the workmen’s attention to let him out. This is the first indication that he’s caught up in more than just an unlucky accident.

A neat touch is when we see a man briefly struggling to get out of a phone box by the side of the road. But in his case the door soon gives way, and he walks away little knowing what may have otherwise happened to him.
So now we know there’s a concerted effort to capture people. For what purpose we can only guess at, and will never find out. Around this time the soundtrack becomes portentous with low register rhythms. Driving out of the town there’s one final and meaningful encounter with other people. When the truck has to stop again some circus dwarves near the road look on, and they are the only ones to simply look and not laugh or wave. In return the man earnestly looks back at them. Maybe the dwarves who are used to being stared at because of their appearance identify with the man’s situation in which he’s an object of curiosity and fun. Then blatant symbolism enters when the camera focuses on a ship in a bottle held by one of the dwarves.
The journey continues on winding mountain roads, first up and then down. For no obvious a helicopter joins in following the truck from the air. Eventually the final destination gets closer as a tunnel into the mountainside is reached. The helicopter lands just outside and the pilot gets out to wave at the man as he disappears into the tunnel.
As the truck continues into an underground complex the soundtrack changes to sinister chanting in Latin somewhat like that used in The Omen. They pass men cleaning out phone boxes, and also a truck going the other way full of empty phone boxes. By this time the man is more anguished, but despite frantically banging on the glass he’s continually ignored. At this point I started to wonder, are the four workmen a metaphor for the four horsemen of the apocalypse, or is it just coincidence because four are needed to load and unload the phone box?
Soon after, the truck yields its unlikely cargo to an overhead crane that takes it away and passes it to a series of conveyor belts. The man’s bizarre fate is then made clear when he’s taken past corpses in telephone boxes identical to his own.
The man’s phone box comes to a halt next to one containing the other victim he saw earlier. That man has strangled himself with the phone cord rather than endure a lingering death.

It’s all over for the man. He now knows it yet still makes a last effort of banging on the glass hoping to be let out. Desperately aware that he’s doomed the final shot of him is slowly sliding down the glass of his coffin in despair and resignation. What started out as an ordinary day for an ordinary man has turned into the kind of thing that nightmares are made of.
Turning full circle the film ends at the plaza where a shiny new telephone box is installed and its door left open. We are left wondering how long it’ll be until some other hapless person attempts to make a call.
I first saw this film on TV late at night over 30 years ago and it’s been stuck vividly in my memory ever since. It’s truly terrifying, playing to archetypal fears like people ignoring your pleas for help and being buried alive. The trapped man is brilliantly played by Jose Luis Lopez Vazquez, a Spanish actor with a substantial list of acting credits to his name.
The film can be watched here:
https://www.youtube.com/watch?v=bKkfGG9q32c

About the author:
Dene Bebbington works part-time in IT but feels more at home writing horror fiction. He’s had short stories published in various anthologies (Dark Corners, Dark Light III, Behind Closed Doors, and Disrupted Worlds to name a few), three stories as podcasts at The Wicked Library, and is the author of the ebook novellas Zombie Revelations and Stonefall. He lives in Wiltshire, England, with his wife and a tank of greedy tropical fish.
For more info visit:

The Dirty Dozen, 12 Days of X-mas – DAY ONE: The Seamstress
Hello kiddos! Welcome to Dirty Little Horror’s holiday celebration:
The Dirty Dozen: 12 Days Of X-mas!!!
It seems someone has MURDERED the 12 drummers drumming, the 11 pipers piping, and the 10 lords a-leaping. The 9 dancing ladies and 8 maids a-milking got it, too, and the horror goes down the line right to the stinking carcass of a dead partridge in a burning pear tree.
But fear not! (Or maybe you should get really, really scared…) We will make our own 12 days of X-mas, perfect for horror fans. Who needs turtle doves and french hens anyway?

To kick off DAY ONE of our nearly two week celebration, we shall start with a short film: The Seamstress. I’ve also posted a schedule for our next eleven days in case anyone is curious what’s in store. Enjoy. And see you tomorrow!
Schedule:
Day One: The Seamstress, a short horror film
Day Two: La Cabina, a movie review by Dene Bebbington
Day Three: Spotlight on Adam Pixel Horrography
Day Four: Still Life, a short horror film
Day Five: Spotlight on Death March Studio
Day Six: Spotlight on Flatline Photography
Day Seven: Long Weekend, a movie review by Dene Bebbington
Day Eight: Great Holiday Gifts for the Hardcore Horror Fan
Day Nine: The Naughty List – X Rated Horror Fiction
Day Ten: The Ten Steps, a short horror film
Day Eleven: Spotlight on Devlish Photography
Day Twelve: Get your horror calendar by John J Dick to ring in the new year!
The Legend of Agatha Rose
Horror peeps! I was just on YouTube browsing new uploads under the keywords “horror short”, and I experienced one of those magical moments when you stumble upon an AWESOME short film! I had to share immediately. Enjoy…
The Dark Poetry of Johnny Ringo
What’s that in the air? It smells like… OCTOBER! What a beautiful month, full of spooky delights. The perfect time for dark poetry. My thanks go out to Johnny Ringo for sharing his works with us. Enjoy!
*
Asphyxia is my damnation
That stifles my lungs and chokes my brain,
And while I struggle to think in a vacuum of fear,
No sanctuary can be found.
My arms flail in panic to reach your skin,
To feel the warmth of your flesh,
For the sound of your heart beating to lull me,
But sound and warmth are not luxuries here.
The decomposition of my brain is necessity,
My cells dying, screaming out for respite,
My fingernails clawing at a prison, incorporeal,
Which destroys all of my being in an empty whisper.
Terror grips everything around me.
Release means a prayer of breath I lack.
If time would rewind to release me,
I would not starve in the black.
Asphyxia is my damnation.

Bring me back from the dead.
Let me rise from the dirt to reclaim my place.
Show me the path to the truth.
Let me don the tattered remains of happiness.
I will rise to bring true chaos.
Mend the wounds that have been wrought.
This is not revenge but justice.
They will know the pain they caused and suffer.
I will fight to the last breath
To destroy the sinners and crush their tyranny;
Then when the task is done,
Guide me back to the grave to sleep again.
I will find peace with my love.
Due to your guidance, justice has been served.

Dripping blood,
Restrained barks of rage,
Ebbing and flowing pulses,
The flames that dance.
The sorrow of children.
Tears of blood flow down
Emerald eyes, breasts of alabaster.
Baptize the child.
Gaping wounds
Tear across a perfect image
Weeping innocence, ignorantly.
Hatred for us.
Your makings,
Tales of insanity aged
Across the lips of all.
Death is yours.
Your skin will bear my mark.
Yours is blood and lies.

HORROR ART – dark painters

I love this quote by Leonardo da Vinci. Often embracing what society considers “dark” makes for awesome artwork… and today I’d like to shine a spotlight on my favorite horror artists! This blog will focus on dark artists who take brush to canvas in the name of all things creepy. Below you will find skilled painters whose works have awed and amazed the horror realm, and of course, I’ve provided links to their websites.
Please respect these artists and their work by not stealing it! You’ll just get busted and look like a total loser anyway. Ha! Now on to the fun…
Jerrod Brown
Award winning Horror Artist Jerrod Brown produces everything from murals to illustrations, from monstrous portraiture to genre book covers. In addition to producing original acrylic on canvas paintings straight out of his home studio, Jerrod also sells his paintings and prints at various galleries, shows, conventions and by mail order (Over 3000 prints of his work have been sold since Oct. 2008). For more info, visit: http://southpawcreation.wix.com/horror-artist
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Stephen Cooney





Stephen Cooney has been painting for as long as he can remember. He has always loved horror and fantasy art. Human skin served as his canvas for many years as a tattoo artist, before he began painting commissioned pieces for book and magazine covers. You may recognize his work at many popular horror publishers. Although most of his work has to do with horror and fantasy, he is always willing to try new projects on different subjects. For more information, visit: http://www.stephencooneyart.co.uk
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Suzzan Blac




Suzzan Blac has earned SO MUCH of my respect. She’s gifted at portraying the horrific side of human nature in oil paint, and she’s open about the history of sexual abuse that led her down this dark path of self-expression, which takes real guts (much like the guts she paints so well). Her auto-biography, The Rebirth Of Suzzan Blac, was an incredible read and deepened my admiration for the artist. To learn more, visit: http://www.suzzanb.com
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Well, that’s it. I hope you enjoyed the artwork. There are tons more horror artists out there waiting to be discovered. Feel free to comment with reader suggestions!
Attack of the Brainsucker!!
ATTACK OF THE BRAINSUCKER

Wow. I really, really loved this short film. It was highly entertaining with a somber message. I’m being serious here: You’re missing out if you don’t take 14 minutes of your day to watch it!







