DAY FIVE of The Dirty Dozen, 12 Days of X-mas: Death March Studio

It’s Day 5 of our 12 Days of X-mas bash!

I can’t afford five golden rings, but I’ve got lots more horror to spread! I do love dark photography, don’t you? Please welcome special guest Death March Studio. If you like their work, check out their Facebook page! https://www.facebook.com/Death-March-Studio-893543987368494

I’d also like to credit the models (and I hope I snagged their names correctly from the page): Tara Tarpey, Christina Marie, and Nick Schultz appear in these photos. Enjoy.

Death March - Tara TarpeyDeath March 1Death March 2Death March 3 - Christina Mariedeath march- nick schultzdeath march

Death March Studio. If you like their work, check out their Facebook page! https://www.facebook.com/Death-March-Studio-893543987368494

DAY FOUR of The Dirty Dozen, 12 Days of X-mas: Still Life

Wow. We are already a third of the way through our 12 Days of X-mas celebration. Yup, yup, it is day 4. And I’ve got something way better than “four calling birds” to share with you. This short film is one of the most chilling YouTube horror movies I’ve seen. The video itself is pretty old by Internet standards and a tad blurry since it was uploaded a decade ago… but trust me, it’s worth your time.

I present for your viewing pleasure… Still Life

 

 

DAY THREE of The Dirty Dozen, 12 Days of X-mas: Adam Pixel Horrography

Welcome to day 3 of Dirty Little Horror’s 12 day celebration. What’s horror got to do with X-mas, you ask? Why all the fuss? I’ll tell you why: Because the holidays are stressful, and horror fans need the distraction!

Today, we celebrate dark photography with haunting images from Adam Pixel Horrography. Many thanks to Adam (whose page is linked below) and the beautiful models Ashen Falls and Donna Kennedy.

https://www.facebook.com/Adam-Pixel-Horrography-701421573282041

Adam Pixel Horrography - model Ashen FallsAdam Pixel Horrography - model Ashen Falls 2Adam Pixel Horrography - model Ashen Falls 3Adam Pixel Horrography - Donna KennedyAdam Pixel Horrography - Donna Kennedy 2Adam Pixel Horrography - Donna Kennedy 3

VISIT ADAM PIXEL HORROGRAPHY ON FACEBOOK:

https://www.facebook.com/Adam-Pixel-Horrography-701421573282041

Thanks for stopping by, and I promise – weird or not – I shall continue to fill your holiday season with blood and guts! See you tomorrow!

DAY TWO of Dirty Dozen, 12 Days of X-mas: La Cabina, a movie review by Dene Bebbington

DEADLY TELEPHONE BOXES

by: Dene Bebbington

A telephone box isn’t scary. Well, not unless you’ve seen the short surreal horror called La Cabina – translated to The Telephone Box in English. Dating back to 1972, this Spanish TV production by Antonio Mercero demonstrates perfectly that an innocuous fixture in the public sphere can become a source of terror. And the only monsters making an appearance in the film are human.

Horror writer Stephen King once likened reading a novel to having a long and satisfying affair. He contrasted that with a short story being like a quick kiss in the dark from a stranger. This metaphor can be carried over to films. La Cabina at a mere 35 minutes long leaves a lasting, and disturbing, impression because of its short and surreal nature. Like any good short horror story it provides no explanations for the situation that the victim finds himself in.

lacabina4

Only read on if you’re prepared for spoilers!

The story begins with four workmen in a phone company truck arriving at a plaza surrounded by apartment buildings. They unload a red telephone box from the back of the truck and install it in the middle of the plaza and leave its door ajar. A human venus fly trap has been set.

Shortly afterwards a middle aged suited man sees his son off to school and then decides to go into the telephone box to make a call. He soon finds that the phone is out of order, but while trying it the door has closed behind him. Initially puzzled that the door won’t open he then becomes agitated and tries to force it open, to no avail. He doesn’t have to wait long before two men walking by on their way to work spot his predicament and fruitlessly try to pull the door open. Unfortunately they can’t stick around and have to leave. More people have noticed what’s going on and a crowd starts to gather – obviously this is entertainment in a town where nothing much normally happens.

lacabina1

The mood of the film so far is fairly lighthearted, though it’s easy to feel sympathy for the man whose discomfort and embarrassment has become palpable now he’s also an object of curiosity and amusement. The next few minutes are played mainly for laughs as several people, including a couple of policemen, try to pull the phone box door open only to fail and fall over backward with the door handle in their hands. The crowd itself becomes a source of curiosity too. There’s a tall man stealing cakes from a tray a boy holds on his head; an old woman is invited to sit on a chair a man was taking somewhere; a couple of workmen stand around with a big mirror; and children taunt the trapped man.

Symbolism and homages quickly emerge. For instance, we notice that two of the onlookers are women sat chatting and knitting. This is presumably a reference to Madame Defarge who sits knitting while people go their deaths in Charles Dickens’ novel A Tale of Two Cities.

Eventually a fire truck arrives and the firemen decide to break the glass of the phone box. One of them gets on top of the box and is just about to smash the glass with a sledgehammer when the phone company truck comes back, its horn beeping for attention.

The phone company workmen proceed to load the phone box onto their truck. It’s at this point that the man inside realises that something is more than a little amiss with the situation. Despite his obvious panic and gestures to the workmen to get him out, the crowd wave him off with cries of “Good luck”. Having been so close to escape his fate is getting even more puzzling.

Like some kind of peculiar mobile freak show the truck drives through the town with the trapped man eliciting jokes by passers by and lots of friendly waves. Much to his chagrin, people continually misunderstand his gestures for help. On the way out of town they come to a halt in traffic and by the side of the road is a funeral party standing around a glass casket containing a corpse on display. This is an unsubtle way of signalling the man’s own fate. A little later while stopped at traffic lights another phone company truck pulls up alongside and on it is an identical phone box with a man stuck inside it. Looks of empathy and questioning pass between the two men before the other truck pulls away. Our man then becomes even more panicked and desperately tries to get the workmen’s attention to let him out. This is the first indication that he’s caught up in more than just an unlucky accident.

lacabina5

A neat touch is when we see a man briefly struggling to get out of a phone box by the side of the road. But in his case the door soon gives way, and he walks away little knowing what may have otherwise happened to him.

So now we know there’s a concerted effort to capture people. For what purpose we can only guess at, and will never find out. Around this time the soundtrack becomes portentous with low register rhythms. Driving out of the town there’s one final and meaningful encounter with other people. When the truck has to stop again some circus dwarves near the road look on, and they are the only ones to simply look and not laugh or wave. In return the man earnestly looks back at them. Maybe the dwarves who are used to being stared at because of their appearance identify with the man’s situation in which he’s an object of curiosity and fun. Then blatant symbolism enters when the camera focuses on a ship in a bottle held by one of the dwarves.

The journey continues on winding mountain roads, first up and then down. For no obvious a helicopter joins in following the truck from the air. Eventually the final destination gets closer as a tunnel into the mountainside is reached. The helicopter lands just outside and the pilot gets out to wave at the man as he disappears into the tunnel.

As the truck continues into an underground complex the soundtrack changes to sinister chanting in Latin somewhat like that used in The Omen. They pass men cleaning out phone boxes, and also a truck going the other way full of empty phone boxes. By this time the man is more anguished, but despite frantically banging on the glass he’s continually ignored. At this point I started to wonder, are the four workmen a metaphor for the four horsemen of the apocalypse, or is it just coincidence because four are needed to load and unload the phone box?

Soon after, the truck yields its unlikely cargo to an overhead crane that takes it away and passes it to a series of conveyor belts. The man’s bizarre fate is then made clear when he’s taken past corpses in telephone boxes identical to his own.

The man’s phone box comes to a halt next to one containing the other victim he saw earlier. That man has strangled himself with the phone cord rather than endure a lingering death.

lacabina3

It’s all over for the man. He now knows it yet still makes a last effort of banging on the glass hoping to be let out. Desperately aware that he’s doomed the final shot of him is slowly sliding down the glass of his coffin in despair and resignation. What started out as an ordinary day for an ordinary man has turned into the kind of thing that nightmares are made of.

Turning full circle the film ends at the plaza where a shiny new telephone box is installed and its door left open. We are left wondering how long it’ll be until some other hapless person attempts to make a call.

I first saw this film on TV late at night over 30 years ago and it’s been stuck vividly in my memory ever since. It’s truly terrifying, playing to archetypal fears like people ignoring your pleas for help and being buried alive. The trapped man is brilliantly played by Jose Luis Lopez Vazquez, a Spanish actor with a substantial list of acting credits to his name.

The film can be watched here:

https://www.youtube.com/watch?v=bKkfGG9q32c

 

lacabina2

 

About the author:

Dene Bebbington works part-time in IT but feels more at home writing horror fiction. He’s had short stories published in various anthologies (Dark Corners, Dark Light III, Behind Closed Doors, and Disrupted Worlds to name a few), three stories as podcasts at The Wicked Library, and is the author of the ebook novellas Zombie Revelations and Stonefall. He lives in Wiltshire, England, with his wife and a tank of greedy tropical fish.

For more info visit:

www.denebebbington.co.uk

dene

 

 

 

 

The Dirty Dozen, 12 Days of X-mas – DAY ONE: The Seamstress

Hello kiddos! Welcome to Dirty Little Horror’s holiday celebration:

The Dirty Dozen: 12 Days Of X-mas!!!

It seems someone has MURDERED the 12 drummers drumming, the 11 pipers piping, and the 10 lords a-leaping. The 9 dancing ladies and 8 maids a-milking got it, too, and the horror goes down the line right to the stinking carcass of a dead partridge in a burning pear tree.

But fear not! (Or maybe you should get really, really scared…) We will make our own 12 days of X-mas, perfect for horror fans. Who needs turtle doves and french hens anyway?

let's get started

To kick off DAY ONE of our nearly two week celebration, we shall start with a short film: The Seamstress. I’ve also posted a schedule for our next eleven days in case anyone is curious what’s in store. Enjoy. And see you tomorrow!

 

 

Schedule:

Day One: The Seamstress, a short horror film

Day Two: La Cabina, a movie review by Dene Bebbington

Day Three: Spotlight on Adam Pixel Horrography

Day Four: Still Life, a short horror film

Day Five: Spotlight on Death March Studio

Day Six: Spotlight on Flatline Photography

Day Seven: Long Weekend, a movie review by Dene Bebbington

Day Eight: Great Holiday Gifts for the Hardcore Horror Fan

Day Nine: The Naughty List – X Rated Horror Fiction

Day Ten: The Ten Steps, a short horror film

Day Eleven: Spotlight on Devlish Photography

Day Twelve: Get your horror calendar by John J Dick to ring in the new year!

 

The Legend of Agatha Rose

Horror peeps! I was just on YouTube browsing new uploads under the keywords “horror short”, and I experienced one of those magical moments when you stumble upon an AWESOME short film! I had to share immediately. Enjoy…

The Dark Poetry of Johnny Ringo

What’s that in the air? It smells like… OCTOBER! What a beautiful month, full of spooky delights. The perfect time for dark poetry. My thanks go out to Johnny Ringo for sharing his works with us. Enjoy!

*

Asphyxia is my damnation
That stifles my lungs and chokes my brain,
And while I struggle to think in a vacuum of fear,
No sanctuary can be found.

My arms flail in panic to reach your skin,
To feel the warmth of your flesh,
For the sound of your heart beating to lull me,
But sound and warmth are not luxuries here.

The decomposition of my brain is necessity,
My cells dying, screaming out for respite,
My fingernails clawing at a prison, incorporeal,
Which destroys all of my being in an empty whisper.

Terror grips everything around me.
Release means a prayer of breath I lack.
If time would rewind to release me,
I would not starve in the black.

Asphyxia is my damnation.

1

Bring me back from the dead.
Let me rise from the dirt to reclaim my place.
Show me the path to the truth.
Let me don the tattered remains of happiness.
I will rise to bring true chaos.
Mend the wounds that have been wrought.
This is not revenge but justice.
They will know the pain they caused and suffer.
I will fight to the last breath
To destroy the sinners and crush their tyranny;
Then when the task is done,
Guide me back to the grave to sleep again.
I will find peace with my love.
Due to your guidance, justice has been served.

rising

Dripping blood,
Restrained barks of rage,
Ebbing and flowing pulses,
The flames that dance.

The sorrow of children.
Tears of blood flow down
Emerald eyes, breasts of alabaster.
Baptize the child.

Gaping wounds
Tear across a perfect image
Weeping innocence, ignorantly.
Hatred for us.

Your makings,
Tales of insanity aged
Across the lips of all.
Death is yours.

Your skin will bear my mark.
Yours is blood and lies.

3

Fifty Days ‘Til Halloween and a Free Story To Celebrate

50

Horror folk, gather ’round. Our favorite season is upon us! Soon the leaves will fall; the candy will flow. Naysayers might wonder, “Why start the countdown so soon?” Hahaha. A lot of us started our countdown on November 1st of last year! Am I right??? 🙂

So anyway, I just released a collection for Kindle and NOOK entitled The Tooth Collector and Other Tales of Terror, and since one of the stories is Halloween-themed, I’d like to share it here.

This story originally appeared in Dark Moon Digest. I hope you enjoy it.

Invitation Only

Daniel turned the pages of his mother’s photo album, fighting back tears. Pictures of his own face—in various stages of development—stared back at him, a reminder of innocence lost. Snapshots filled each glossy slot in careful chronological order. His mother’s handwriting marked the months and years on bits of paper underneath. A familiar lump returned to his throat as he resisted the urge to cry.

Daniel closed the book and rubbed his eyes. He couldn’t shake the feeling that he had failed her. He was a loser. After forty-eight years of life, it was obvious. He hadn’t accomplished much of anything, so busy following his dreams that he never thought to set aside money for his mother’s needs.

In the end, when mom had passed, he was forced to sell the few valuables he owned just to pay for her funeral. Even then, he couldn’t afford a casket. Mom now rested in a porcelain urn.

He stood up from the foot of his mother’s bed and smoothed the wrinkles from the cover. It occurred to him that this was a pointless action, that sooner or later the bedding would join her other possessions in a truck heading for the nearest Goodwill. But he adjusted it anyway, noticing its age for the first time. It was the same ragged quilt she’d been using for decades.

He looked around the room at the outdated decor, the open closet full of thrift store dresses, the ancient TV atop her dresser. She hadn’t lived a glamorous life. Her only child, Daniel, had failed to provide.

Placing the photo album in a box marked “keep”, Daniel turned to face the rest of the closet’s contents. The clothes would all go; that was easy. The boxes full of knickknacks and keepsakes, those would take some time to sort through. He owed her that much, to handle her items with care. They were memories, after all, souvenirs from a lifetime spent encouraging her loser son. First, with his failed movie career. Then, with his non-selling novels. Mother always kept the faith that he’d succeed.

Daniel grabbed a shoe box from the shelf and placed it on the bed. It was old, the logos obviously passé. His fingers left prints on the dusty surface as he removed the lid, setting it aside. The box contained papers—some folded, some rolled, some small enough to fit without bending. He unrolled a paper: the deed to the house. He walked it over to the “keep” container, setting it next to the box so it wouldn’t get buried beneath the other items as he sorted.

He started a pile of old receipts, crumbling them as he scanned them for importance. And then, further down, underneath the top layer of papers, he spotted something that made his brow furrow. It looked exactly like something he’d seen in his youth. The words were different, but there was no mistaking the font.

He picked up the red post card with the bold, black text. The words were scrawled in haunting, gothic letters. As a boy, he had marveled at the shape of each character. He’d never seen writing like it. And now—as a grown man—he knew he hadn’t seen it since.

There was no picture, no friendly greeting, not even a stamp. The card was the color of blood, but lacking the glossy coat that some post cards possess. Just the dull, crimson paper with the strange black letters.

He remembered how Jimmy Hannigan had gloated, waving it around. A chubby redheaded kid with an ego so big it made you wonder what he saw in the mirror, he carried himself with an attitude that suggested he was Top Dog. Jimmy was a hellion, a cool outlaw, trapped in the body of an overweight ginger. Daniel knew this was why he bullied the other kids, like in that moment, as he taunted Daniel with the post card in his hand. “Didn’t get one, huh?”

“Don’t want one.” Daniel kicked a rock with his dirty Ked sneaker, eyeing Jimmy with thinly veiled chagrin.

Ever since the delivery man had appeared on Jimmy’s doorstep and handed him the strange invitation, he couldn’t stop beaming from ear to ear. Jimmy had spent the school day with that dumb smile on his face, questioning all the children in their seventh grade class. “Did you get one?” he would ask, waving the crimson card around. With each “no” he seemed to walk a little taller, as if hand-picked to join a group of socialites.

The invitation itself was peculiar. The letters looked like they belonged in the credits of Vampira or The Addams Family, and Daniel was thoroughly intrigued. He found himself trailing Jimmy as he posed the question to each classmate. So far only Teddy Green, Dennis Halloway, and Johnny Cougar had matching post cards. The oddest part: they were the worst kids in school.

Daniel was partly telling the truth when he said he didn’t want an invitation. There was a twinge of jealousy at having been excluded, but something about the blood red card, inviting the recipient to the “best haunted house this Halloween” sent a chill down the length of Daniel’s spine. He had been there when the delivery man arrived on Jimmy’s doorstep. The lanky figure in the long, black trench coat seemed to appear out of thin air that afternoon. One moment they were discussing Heather Janeson’s tits, the next they were sitting in his shadow.

The autumn air was crisp, carrying the scent of fallen leaves, and it whipped at the stranger’s colorless hair, which hung in a tangled mess from beneath his ebony top hat. His face was even paler than his thin, white hair, and his dark eyes leered at Daniel from the shadows of the hat’s brim.

“Are you Mister Jimmy Hannigan?” his deep voice inquired. Daniel thought it sounded more like a growl than a question. He caught a glimpse of sharp teeth as the delivery man spoke. Slick with spit, the jagged teeth glistened behind chapped lips, brownish-yellow and tapered into points. Jimmy, who was accustomed to speaking his mind, who had told countless teachers and parents to “fuck off”, only nodded in response, taken aback by the proximity of the imposing figure.

The man handed Jimmy a black envelope and curled his lips in a closed-mouth smile. The expression seemed to strain the muscles of his face, as if causing him actual pain. Daniel caught another glimpse of those cat-like teeth as the man spoke again in that low, bassy tone, “We hope you can make it.” With a tip of his satin top hat, the man turned and walked away, leaving the boys to stare at the envelope in wonder.

“Open it,” said Daniel, licking his lips.

“Chill out, spaz. I just got it ten seconds ago.”

Daniel looked in the direction the man had walked, but he was nowhere to be seen… already gone. “That guy gave me the creeps.” He rubbed the goosebumps from his arms.

“That’s because you’re a pussy,” Jimmy said with a roll of his eyes. He ripped at the envelope, shredding the seal. His eyes widened as he read the words aloud, “You are invited to Manic Manor, the most terrifying haunted house in the state.”

Realization dawned on the boys, and they laughed, releasing their tension.

“So that explains the creepy getup,” said Jimmy. But not the creepy teeth, thought Daniel.

“Admission is paid in full, courtesy of someone who believes you can survive the terror.” Jimmy looked up, pride obvious in his eyes. “Halloween night. 10 o’clock. The old mansion on Pennington Hill.”

***

Leaves skittered down the sidewalk in the autumn breeze. The jack-o-lantern’s candle had burned down to a nub, its flame fighting to stay lit against the wind. Daniel breathed deep the smell of melted wax. It was a comforting aroma, reminding him of past Halloweens, when he’d been allowed to enjoy the festivities. Now he was twelve, going on thirteen. Too old for silly costumes and trick-or-treating.

Jimmy smacked his lips, savoring the candy bar with as much etiquette as a pig at the trough. “You sure you don’t want some?” he asked, holding the bag out to Daniel.

He shook his head, “No man. It aint even ours.”

Jimmy rolled his eyes. “Okay, suit yourself.” He plunged his chubby hand into the depths of the treat bag, digging for another snack to join the pile of empty wrappers at his feet.

Daniel watched his pal, pondering—as he often did—what exactly made them best friends. Teachers, parents, authority figures: they all pegged Daniel for a hooligan because of the company he kept. He could save himself a lot of trouble and accusations if he just stopped hanging around with Jimmy. The truth was, deep down, Daniel didn’t feel like a bad guy. He didn’t want to smash pumpkins or egg houses. He especially didn’t want to steal candy. Yet, those are the activities that had filled his evening, because for some reason, Jimmy Hannigan was his pal.

“What time is it?” asked Jimmy, sucking the chocolate from his fingers.

Daniel checked his watch. “It’s 9:12.”

Jimmy jumped to his feet. “Shit, we’re gonna be late!” He dumped a handful of candy into the bag, stuffing the empty wrappers into the pockets of his jeans. He stashed the stolen candy in the bushes, where his parents would be none the wiser.

Daniel stood from the porch, his eyebrows arched high. “Hold up. We are gonna be late?”

“Yeah, man. You didn’t think I’d go without my best friend, did ya?”

Daniel thought. “Well, what—what if they don’t let me in?”

“Hell man, I don’t know. Let’s go find out!”

***

The abandoned mansion towered against a backdrop of tiny stars as the boys groaned, rubbing their feet. Daniel marveled at how far they’d come, loosening the laces of his grass-stained tennis shoes. The road snaked its way downhill, winding through the forest and back out again, until it met with the heart of town. There had been an unspoken consensus to travel it alone, without the cushy comforts of a car. He scarcely believed they’d climbed the entire hill on foot as he stared down upon the rooftops, breath forming clouds in the crisp October air.

One by one, they had gathered outside the iron gate: Teddy Green, Dennis Halloway, Johnny Cougar, and Sally Hendricks. A scraggly-haired tyrant of a girl, Sally’s name struck fear into the hearts of her classmates. She might as well be one of the guys.

Daniel noted, with mild amusement, that the amount of lunch money stolen between these kids might be enough to jump start a small business. He snorted through his nose to keep from laughing, catching a suspicious sideways glance from Teddy, whose narrow eyes wiped the smirk from Daniel’s face.

Dark windows stared down at the children, like empty eye sockets in a moldering face. The once-glorious home loomed over them, glowing gray in the moonlight. The rotting wood exterior was riddled with tiny, black knots. Dead, brittle vines weaved through the broken slats of the lattice, cobwebs visible in every corner. The gauzy white webs accented the frame of the tall, black door, which seemed to sit crooked in the face of the house.

Pennington Hill had once been the subject of envy around town. Built for the mayor and his prestigious family, the three story, twenty-eight room manor had been the setting for galas and elite social events. As decades passed, the wealthy class developed a desire to blend in. A mansion atop a hill became a thing of the past, an ostentatious display of riches. Following the family’s departure a near century after it was built, no one seemed to know what to do with the old house. It sat, untouched, for so many years that it fell into immense disrepair.

The children heard the squeaking of a shutter as it hung from its hinge and thumped against the window frame. A lone owl hooted in the distance, sounding too much like a horror movie sound effect. Their warm breath formed white clouds in the air as they waited.

Johnny Cougar’s blue eyes darted from face to face, as he rocked back and forth on his heels. “What should we do? Climb the gate?”

Jimmy shook his head, pointing at the invitation. “Patience, bonehead. It says right here: 10 o’clock. Just wait a minute. Someone will let us in.”

As if on cue, the wrought iron gates swung open. Teddy and Dennis stepped forward, showing no fear at the sight of the heavy gates moving on their own. Johnny and Sally glanced back, at the road leading home, then forward to the gates, which scraped along the gravel as they opened. “Pretty cool trick,” said Johnny.

“Yeah, pretty cool.”

Jimmy pulled Daniel aside. He patted the pocket of his jacket where a walkie talkie was hidden. His freckled cheeks puffed up as he beamed a crooked smile. “Remember, even if you don’t get in, you can listen.” Jimmy’s hazel eyes twinkled in the plump roundness of his face. He raised his hands to Daniel’s shoulders, grinning like he’d given him the best gift in the world by letting him tag along. Jimmy had insisted on bringing the walkie talkies, just in case the two boys got separated. His best friend was coming with him, no matter what. “You ready?” he said, squeezing Daniel’s shoulders with his palms.

Daniel nodded, “Yeah, let’s go.

“Together they walked under an archway that connected the pillars of each gate. Granite faces peered at them from intricate carvings in the stone. The gray eyes seemed to follow them as they passed. Both boys noticed, but neither one said a word.

Trees lined the stone path leading to the mansion’s front door. Twisted limbs entangled from opposite sides of the path, forming a tunnel of gnarled branches and leaves. A canopy of twigs and fire-colored leaves entwined above their heads, throwing the children into darkness. Moonbeams shined through the gaps in the branches, casting thin patches of light across their bodies as they crunched over the fallen leaves that littered the pebbled ground.

Shadows moved in the foliage, weaving through the tree trunks. At first Daniel thought it was dogs on the other side of the branches, but the more he focused his eyes, he saw dark splotches moving along the inside of the tunnel. The shadows looked human in shape, as if cast by the group of kids, but there wasn’t enough moonlight for that. The black figures moved in a blur, so quickly Daniel couldn’t single one out.

The trunks were covered in a dark brown, crumbling bark that seemed to move, like the puffing of a chest as it breathes. Daniel knew it was foolish, but he felt as though the trees were alive. He could hear them panting: a labored wheezing sound over the whistling of the wind down the trail.

“Do you hear that?” Daniel clenched Jimmy’s arm, urging him to stand still and listen.

Jimmy cocked his head, waiting. “Hear what?”

Daniel paused. He scanned the mossy trunks, waiting for the vegetation to move. Waiting for the bark to ripple as it had seconds earlier. Nothing happened. “Nevermind,” he said, biting his lip.

Jimmy chuckled. There was a nervous, high-pitched lilt to his laugh. “C’mon, man. Let’s keep going…” They jogged to catch up with the others.

Dennis and Teddy reached the staircase first. They glanced back, suddenly aware of how shadows crowded the porch, dark and unmoving. They resembled human figures, huddled together in the darkness of the covered patio.

The tough guys searched the faces of their peers. Their eyes said it all: They were just as scared as Daniel. They gripped the wooden railing that ascended the stairs to the pillared wrap-around porch. The archway was fit for a cathedral, aside from the mold that speckled the wood and the peelings of paint that hung in large chunks, fluttering in the breeze. With a gulp, Teddy and Dennis climbed the stairs. The other children followed, close behind.

Daniel jumped when a wooden stair broke with a loud crack, splitting under his foot. The others looked back with smirks on their faces as if to say “Smooth move, dork.” But no one said a word as they reached the top step and the shadows retreated to the far side of the porch.

The crickets stopped chirping on Pennington Hill. Everything went silent, save for the nervous breathing of the children and another noise, like the raspy wheezing of a thousand creatures, so quiet you could barely make it out. And it was coming from the shadows.

Sally grabbed the rusty door knocker. She tried desperately to steady her hand as she thudded the metal ring three times. She couldn’t let the boys see how nervous she was. She stifled a gasp when the door knocker blinked its beady eyes. She glanced around. No one else had seen it aside from Sally and Daniel, but the copper lion, green in its old age, had blinked its eyes as she banged on the door.

The door creaked open without so much as a push. The large marble foyer was covered in dust and dimly lit by tall candelabras. Daniel’s eyes adjusted, and he realized the flames flickered atop piles of bones. Each candelabra was mounted to a grotesque stack of skulls, layered together like bricks in a pillar. While his friends admired the “special effects”, Daniel was pretty sure he spied a skull with some of the flesh still attached. A rotted eyeball dangled from the socket by a wet, pink thread. It all looked too real to be safe.

The man who had delivered the invitations stood dead center, in a ring of candlelight. Flames danced in the dark, sunken sockets above his jagged cheek bones, mirroring the fire from the candles. He wasn’t wearing his top hat, and his white hair hung in thinning patches from his sickly, pale scalp. Blue veins showed through his nearly translucent skin as he pressed a hand to his abdomen and bowed.

The man stepped forward. His black suit reminded Daniel of the shadow people.

He could see them, dark figures huddled together in the inky blackness of the hallway. The man’s voice was a low growl as he spoke. “Sally,” he said, nodding in her direction. “Teddy, Danny…” His pale face studied the children, thin lips pulled taut over his ghoulish, pointed teeth. “Johnny and Jimmy…” His dark eyes settled on Daniel. “and… who do we have here?” He clasped his spindly fingers together in a steeple-like formation and slanted his thin eyebrows at Daniel.

The shadows deep within the house, past the ring of candlelight and hiding in the darkness, seemed to pulsate and stir. Their collective breathing rose higher in volume, yet it was still barely audible, like a gust of wind whistling through the old mansion. Human forms stirred in the hallways, writhed in the nothingness of the staircase. Daniel was positive he saw a pair of red eyes staring at him from the abyss.

“What’s your name?” the strange white-haired man asked.

“D-Daniel,” he replied.

“I’m afraid, Daniel, you must go back the way you came. This party is invitation only.” He leaned over, and his sour breath made Daniel’s skin crawl. “No exceptions.”

Blackness spilled from the halls, from the vaulted archway of the staircase. Darkness crept into the light and extinguished candle flames as it moved. A shadowy fog enveloped the room. Red eyes opened inside the massive shadow that rolled in, an ominous wave of contorted human figures. A thousand eyes stared at Daniel, like rubies shining in the blackest of nights.

The shadows rushed at Daniel. Hundreds of fingers and dozens of palms shot out from the hazy black mist, pushing him. Their collective force caused him to sway and trip over his own foot, toppling backwards onto the moonlit patio. He felt a gust of air as the heavy door slammed, and a chorus of screams erupted from his friends.

Daniel scrambled to his feet. He cleared the stairs in five steps, avoiding the broken plank and leaping onto the leafy stone path. He dashed into the tunnel of gnarled branches. He didn’t look around as he ran. If he did, he might see more of those things lurking in the shadows. And he never wanted to see one again. So he kept his eyes fixed straight ahead, focusing on the beam of moonlight at the end of the tunnel.

He emerged from the canopy of twisted tree limbs, falling to his knees in the grass. He could see the gravel road leading into town. Small buildings in the distance, at the foot of Pennington Hill, were beginning to turn out their lights. The moonlight was dimming, swallowed by a layer of clouds.

Daniel dug around in his jacket. He pulled the walkie talkie from his pocket. His shaky fingers fumbled, almost dropping the device as he flipped the power switch to “on”.

A scream rattled through the speakers. One of the boys was crying, hysterical, coughing and wheezing in fear. A blood curdling yelp poured from the walkie talkie, closer than before. Daniel thought it sounded like Sally.

Someone yelled, “Let me go!” It was a distant echo on the staticy air waves.

Then another boy spoke. This one was closer, louder. “Why are you doing this?” Jimmy pleaded.

The man’s answer rumbled over the air waves like a crack of thunder. His bassy growl shook the device. It rattled in Daniel’s hand, and he dropped it to the grass. “We are the evil eaters. We feed on evil souls.” The children all screamed in unison. There was a loud thud. The walkie talkie squealed, then fell silent.

***

The morning of November 1st dawned bright and sunny. Daylight shined through the wispy clouds. Birds chirped as they poked their beaks through the dirt, searching for food.

Daniel paced back and forth. He had arrived at the bus stop fifteen minutes early, something he hadn’t accomplished in the history of his school days. But after a sleepless night of watching the clock and waiting for morning to arrive, he was up before his alarm clock that day.

Daniel’s eyes scanned the row of neatly mowed lawns, the trimmed hedges that lined the curb. A paper boy peddled a bicycle down the street. A small dog yelped from behind a picket fence.

Daniel tried not to stare, but his vision kept settling on one house: Jimmy’s. He paced a straight line, gazing up at Jimmy’s front door every time he spun around. One thought repeated in his mind: He is dead. My best friend is dead.

Jimmy’s front door opened, and Daniel caught a glimpse of his ginger hair. Jimmy stepped from the patio, his freckled skin looking pale in the sunlight. He plodded down the length of his driveway with a spring in his step, his portly body bouncing toward the street. Daniel had never seen Jimmy walk that way before, like a small child with too much energy.

Daniel waved as Jimmy stepped onto the sidewalk and headed toward the bus stop. He knew Jimmy wouldn’t return the gesture, probably even make fun of him for waving like a little kid, but he was so relieved to see his friend alive, he didn’t care. Jimmy smiled at him—a closed lip, timid smile. Not his usual shit-eating grin. Then he extended his chubby hand into the air and waved.

Daniel waited for his friend to reach the street corner. “Uh… hey. How’s it goin’?” he asked.

“Hi!” Jimmy opened his hand and wiggled his fingers in the air, waving a second time. He smiled with his mouth closed and shoved his hands into his pockets. This wasn’t like Jimmy, whose grin often reminded Daniel of the Mad Hatter, who tossed pebbles and drew invisible pictures on the pavement with sticks, anything to keep his hands busy. It was odd to see him standing there: quietly, patiently.

“So about last night…” Daniel began.

“Oh, I know. I regret my actions, Daniel. Vandalizing property like that…. and taking candy from those children. It was terrible of me, and I apologize.”

Daniel’s mouth hung open as he attempted to respond. He blinked his eyes and slowly shook his head. “No… uh… the other part of the night. That house.”

“Ah, yes. It was wonderful! I’m so sorry you couldn’t stay.”

Daniel’s skin crawled with unease as he studied his friend. By every physical law, Jimmy Hannigan stood before him. The same voice. The same hazel eyes and rotund, freckled face. But something had changed. Those eyes lacked a certain twinkle that made Jimmy so very… Jimmy.

“It’s a beautiful day, Daniel. I think I’ll walk to school.” Jimmy turned and began to walk away, and that’s when Daniel knew. This wasn’t Jimmy. He never walked to school instead of taking the bus. He never did anything the hard way. And the apologies. Two apologies in one morning. Jimmy never said sorry… for anything. Not once in the entirety of their friendship.

Daniel watched Jimmy disappear down the sidewalk, and he felt as though his best friend had died. The bus rolled up, filling the air with exhaust fumes. A set of yellow doors swung open. Daniel shook his head and boarded the bus, feeling more alone than ever. He knew, the evil eaters had changed Jimmy. They had sucked the Jimmy right out of his soul.

A tear rolled down Daniel’s cheek. He wiped it with the back of his hand. Thirty-six years later it still bothered him to remember that strange Halloween. Jimmy Hannigan had disappeared that night, replaced by a shell of a boy.

Daniel stood at the foot of his mother’s bed. He stared blankly at the red card that looked so much like Jimmy Hannigan’s invitation. It was identical in every way, except for the words:

“Do you have a troubled child? Do you pray they will change their incorrigible ways? Look no further. We are a group of mystery men who guarantee results within the week. 100% pain free. Your child will not be harmed. We work swiftly and discreetly. Enjoy your family life. Have a loving child again. Sign the dotted line and return to the nearest mailbox. (No postage is required.)”

Jimmy’s parents had received the same card as his mother. In that moment, Daniel knew it was true. All the parents of the “bad kids” were offered an easy fix. Teddy, Sally, Dennis, Johnny: they never stood a chance.

Jimmy Hannigan had graduated with honors and went on to college. He had started a family and made his parents proud. He probably sat in an office somewhere, making good money but lacking a soul. And that is the most valuable thing of all, thought Daniel. Just ask the evil eaters.

Daniel walked the card over to the box marked “keep”. It would serve as an important reminder. His mother had protected him, accepted him, even when offered an easy solution.

He hadn’t failed her. She had always been proud.

*********************

If you enjoyed this story, consider picking up my collection for $2.99.

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AMAZON KINDLE: http://www.amazon.com/Tooth-Collector-Other-Tales-Terror-ebook/dp/B014EXATA4/ref=sr_1_1?ie=UTF8&qid=1441887010&sr=8-1&keywords=tooth+collector

NOOK: http://www.barnesandnoble.com/w/the-tooth-collector-lindsey-goddard/1122582822?ean=2940152114850

HORROR ART – dark painters

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I love this quote by Leonardo da Vinci. Often embracing what society considers “dark” makes for awesome artwork… and today I’d like to shine a spotlight on my favorite horror artists! This blog will focus on dark artists who take brush to canvas in the name of all things creepy. Below you will find skilled painters whose works have awed and amazed the horror realm, and of course, I’ve provided links to their websites.

Please respect these artists and their work by not stealing it! You’ll just get busted and look like a total loser anyway. Ha! Now on to the fun…

Jerrod Brown

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Award winning Horror Artist Jerrod Brown produces everything from murals to illustrations, from monstrous portraiture to genre book covers. In addition to producing original acrylic on canvas paintings straight out of his home studio, Jerrod also sells his paintings and prints at various galleries, shows, conventions and by mail order (Over 3000 prints of his work have been sold since Oct. 2008). For more info, visit: http://southpawcreation.wix.com/horror-artist

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Stephen Cooney

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Stephen Cooney has been painting for as long as he can remember. He has always loved horror and fantasy art. Human skin served as his canvas for many years as a tattoo artist, before he began painting commissioned pieces for book and magazine covers. You may recognize his work at many popular horror publishers. Although most of his work has to do with horror and fantasy, he is always willing to try new projects on different subjects. For more information, visit: http://www.stephencooneyart.co.uk

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Suzzan Blac

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Suzzan Blac has earned SO MUCH of my respect. She’s gifted at portraying the horrific side of human nature in oil paint, and she’s open about the history of sexual abuse that led her down this dark path of self-expression, which takes real guts (much like the guts she paints so well). Her auto-biography, The Rebirth Of Suzzan Blac, was an incredible read and deepened my admiration for the artist. To learn more, visit: http://www.suzzanb.com

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Well, that’s it. I hope you enjoyed the artwork. There are tons more horror artists out there waiting to be discovered. Feel free to comment with reader suggestions!

Attack of the Brainsucker!!

ATTACK OF THE BRAINSUCKER

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Wow. I really, really loved this short film. It was highly entertaining with a somber message. I’m being serious here: You’re missing out if you don’t take 14 minutes of your day to watch it!